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Book Synopsis
Anna Fox is an acclaimed contemporary British photographer and is Professor of Photography at the University for the Creative Arts where she currently holds an AHRC Impact Award for the project Fast Forward Women in Photography. Fox's solo shows have been seen at Photographer's Gallery, London, Museum of Contemporary Photography, Chicago amongst others and her work has been included in international group shows including Centre of the Creative Universe: Liverpool and the Avant Garde at Tate Liverpool and The 80s: Photographing Britain at Tate Britain. She was shortlisted for the 2010 Deutsche Borse Photography Prize and her work is included in collections such as the Victoria & Albert Museum, The National Gallery of Art, Washington and the Yale Centre for British Art.

Karen Knorr (USA / UK) was born in Germany and grew up in San Juan Puerto Rico in the 1960's. She Is Emeritus Professor of Photography at the University for the Creative Arts. She lives in Hackney, London. Karen Knorr won the V International Photography Pilar Citoler Prize in 2010. She has been nominated for the Deutsche Börse in 2011 and 2012 and Prix Pictet in 2012 and 2018. Karen Knorr's work is included in collections worldwide including Moma (San Francisco), The Museum of Fine Art (Houston) Museum of Art and Photography, (Bangalore) Tate Museum (London) and Pompidou Museum (Paris). In 2025 she had a solo exhibition of her series Fables and Other Stories at Matmut Centre of Contemporary Art, Rouen, France.

Berenice Abbott was an American photographer best known for her portraits of cultural figures of the interwar period, New York City photographs of architecture and urban design of the 1930s. Her road trip project U.S.1 was made in the mid 1950s in collaboration with her assistant. She explains their reasons for making it: We wanted to capture visually the character of an historic section of the United States, its beauties and incongruities and all. If visible evidences of the past survived, we wanted to photograph them before bulldozers and derricks moved in.

Anna Fox Karen Knorr U.S. Route 1 After Berenice

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      Publisher: Trolley Books
      Publication Date: 8/7/2025
      ISBN13: 9781907112751, 978-1907112751
      ISBN10: 1907112758

      Description

      Book Synopsis
      Anna Fox is an acclaimed contemporary British photographer and is Professor of Photography at the University for the Creative Arts where she currently holds an AHRC Impact Award for the project Fast Forward Women in Photography. Fox's solo shows have been seen at Photographer's Gallery, London, Museum of Contemporary Photography, Chicago amongst others and her work has been included in international group shows including Centre of the Creative Universe: Liverpool and the Avant Garde at Tate Liverpool and The 80s: Photographing Britain at Tate Britain. She was shortlisted for the 2010 Deutsche Borse Photography Prize and her work is included in collections such as the Victoria & Albert Museum, The National Gallery of Art, Washington and the Yale Centre for British Art.

      Karen Knorr (USA / UK) was born in Germany and grew up in San Juan Puerto Rico in the 1960's. She Is Emeritus Professor of Photography at the University for the Creative Arts. She lives in Hackney, London. Karen Knorr won the V International Photography Pilar Citoler Prize in 2010. She has been nominated for the Deutsche Börse in 2011 and 2012 and Prix Pictet in 2012 and 2018. Karen Knorr's work is included in collections worldwide including Moma (San Francisco), The Museum of Fine Art (Houston) Museum of Art and Photography, (Bangalore) Tate Museum (London) and Pompidou Museum (Paris). In 2025 she had a solo exhibition of her series Fables and Other Stories at Matmut Centre of Contemporary Art, Rouen, France.

      Berenice Abbott was an American photographer best known for her portraits of cultural figures of the interwar period, New York City photographs of architecture and urban design of the 1930s. Her road trip project U.S.1 was made in the mid 1950s in collaboration with her assistant. She explains their reasons for making it: We wanted to capture visually the character of an historic section of the United States, its beauties and incongruities and all. If visible evidences of the past survived, we wanted to photograph them before bulldozers and derricks moved in.

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