Description

Book Synopsis

Analysing Museum Display is the first comprehensive book to bring together approaches to studying museum display. Drawing on global examples, it reviews different theoretical frameworks and methods, charting major contributions to the field and exploring their potentials and limitations.

How and why should we study museum display, and what is its nature as a complex form of representation? The book argues that display is at once material, experiential, and political in producing knowledge and that analysis requires rigorous conceptualization and careful methodologies. It provides a critical guide to existing concepts and methods, exploring how museum display can be understood using semiotic, narrative, cartographic, and spatial analyses, assemblage theory, new materialist and multisensory approaches, and theories of affect, emotion, and historical positioning. Alongside this, Whitehead presents key orientations for research practice relating to objectivity and subjectiv

Analysing Museum Display

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    Order before 4pm today for delivery by Tue 9 Jun 2026.

    A Paperback by Christopher Whitehead

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      View other formats and editions of Analysing Museum Display by Christopher Whitehead

      Publisher: Taylor & Francis Ltd
      Publication Date: 1/30/2024
      ISBN13: 9781138545915, 978-1138545915
      ISBN10: 1138545910

      Description

      Book Synopsis

      Analysing Museum Display is the first comprehensive book to bring together approaches to studying museum display. Drawing on global examples, it reviews different theoretical frameworks and methods, charting major contributions to the field and exploring their potentials and limitations.

      How and why should we study museum display, and what is its nature as a complex form of representation? The book argues that display is at once material, experiential, and political in producing knowledge and that analysis requires rigorous conceptualization and careful methodologies. It provides a critical guide to existing concepts and methods, exploring how museum display can be understood using semiotic, narrative, cartographic, and spatial analyses, assemblage theory, new materialist and multisensory approaches, and theories of affect, emotion, and historical positioning. Alongside this, Whitehead presents key orientations for research practice relating to objectivity and subjectiv

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