Description
Book SynopsisTrade Review"In this stunningly original book, Susan Gillman takes the reader on a journey through multiply imagined American Mediterraneans and their contrasting encodings of race, climate and geographical destiny. Opening and ending with vigorous interrogations of the legacies of Humboldt and Braudel, she focuses on the two New World regions where the Mediterranean allusion has had the most fraught political history. In Southern California, Anglo-American entrepreneurs, otherwise ignorant of the authentic Mediterranean character of the environment, invented a romantic Spanish culture to sell real-estate while expunging indigenous and Mexican histories. In the circum-Caribbean, meanwhile, Mediterraneity with a more Roman and imperial inflection helped justify the expansionist project of slaveowners. In each case, Gillman warns us that geohistorical metaphors have often served as quasi-scientific projections of a Western right to conquest." * Mike Davis, author of 'Ecology of Fear: Los Angeles and the Imagination of Disaster' *
Deftly navigating an astonishing range of sources, Gillman unearths a surprisingly rich tradition of comparing various features of American geography and culture to the Mediterranean. Rather than simply the application of a ‘classical’ European model, however, she shows that this comparative impulse was unruly and volatile, a grammar of speculation deployed above all in moments of racial crisis and political upheaval. Her meticulous reconstruction of the disparate networks of American Mediterranean thought are ultimately a template for an innovative approach to comparative analysis, focusing on the productive effects of dissonance and disjunction inherent in any practice of translation.” * Brent Hayes Edwards, author of 'The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism' *
“With Humboldt and Braudel as her main compass points, Gillman charts the ‘strange career’ of her title phrase across the Caribbean and California, disrupting settled ideas about geography, race, and climate. Methodologically innovative and teeming with insights, highly speculative and yet grounded in textual detail,
American Mediterraneans offers a compelling new model for comparative studies. Cultural history doesn’t get any better than this.” * Peter Hulme, author of 'Colonial Encounters: Europe and the Native Caribbean, 1492–1797' *
“In a virtuoso performance, Gillman brilliantly applies the idea of a ‘Mediterranean’ to America’s coasts and waters and offers fascinating evidence for the way the concept has been deployed in depictions of the Gulf of Mexico, the Caribbean, and California, by geographers, writers, artists, and filmmakers.” * David Abulafia, author of 'The Great Sea: A Human History of the Mediterranean' *
"
American Mediterraneans is a prescient work of comparative literary geography sparked in part by the transnational turn in American studies. . . . Gillman is an agile cultural historian. Having previously investigated racist pseudoscience in her 2003 book
Blood Talk: American Race Melodrama and the Culture of the Occult, she now explores how racial hierarchies shape geography and architecture." -- Cherene Sherrard-Johnson * Los Angeles Review of Books *
"In this highly original study, Gillman traces the discursive invention of so-called American Mediterraneans: various writers compared North American lands and bodies of water to the classical Mediterranean. . . Recommended." * Choice *
Table of ContentsList of Figures
Preface: The Strange Career of the American Mediterraneans
Introduction: Beginning with Humboldt
1 American Mediterraneans: A Space-Timeline
2 Nineteenth-Century Geographers and Their Mediterraneans
3 1890s California-Pacific Mediterraneans
4 1940s Gulf-Caribbean Mediterraneans
Epilogue: Ending with Braudel
Acknowledgments
List of Abbreviations
Notes
Index
A gallery of figures follows page 000
