Description

A New York Times Book Review 2019 holiday gift guide pick One of Time Magazine's best photo book of 2019 For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world. Bochner created his first prints in 1973 at the invitation of publisher Robert Feldman of Parasol Press (who introduced a generation of minimalist and conceptual artists to printmaking through his work at Crown Point Press). Since then, Bochner has employed many different forms of printmaking, using and abusing its material possibilities and its unpredictability to counter the methodical fashion in which plates and stencils are cut, characters per line are fixed, or print runs set. This volume surveys Bochner's longstanding engagement with various types of printmaking, from aquatints to monoprints.

Amazing! Mel Bochner Prints: From the Collections of Jordan D. Schnitzer and His Family Foundation

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Hardback by Mel Bochner , Carolyn Vaughan

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A New York Times Book Review 2019 holiday gift guide pick One of Time Magazine's best photo book of 2019... Read more

    Publisher: Jordan Schnitzer Family Foundation
    Publication Date: 25/09/2018
    ISBN13: 9781732321205, 978-1732321205
    ISBN10: 1732321205

    Number of Pages: 256

    Non Fiction , Art & Photography

    Description

    A New York Times Book Review 2019 holiday gift guide pick One of Time Magazine's best photo book of 2019 For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world. Bochner created his first prints in 1973 at the invitation of publisher Robert Feldman of Parasol Press (who introduced a generation of minimalist and conceptual artists to printmaking through his work at Crown Point Press). Since then, Bochner has employed many different forms of printmaking, using and abusing its material possibilities and its unpredictability to counter the methodical fashion in which plates and stencils are cut, characters per line are fixed, or print runs set. This volume surveys Bochner's longstanding engagement with various types of printmaking, from aquatints to monoprints.

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