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Book Synopsis
Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist. His first monograph in nearly a decade introduces new audiences to his iconic paintings, particularly his celebrated visions of life on the road.

Like Pop peers Andy Warhol and Ed Ruscha, Allan D’Arcangelo incorporated mass-manufactured images in works that elevate scenes of everyday American life. While his work often features imagery from more familiar 1960s art—Jacqueline Kennedy and Marilyn Monroe, smoking pin-up girls, Superman, Lucky Strike—it differs in the surreal elements he introduced to Pop tropes and romantic views of the American industrial landscape.

D’Arcangelo once observed his “most profound experiences of landscape were looking through the windshield.” The artist brought a Pop sensibility to the tradition of landscape painting

Allan DArcangelo

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    A Hardback by Alex J. Taylor, Evan Moffit, Cécile Whiting

    7 in stock

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      Publisher: Rizzoli International Publications
      Publication Date: Publication Date: 24/10/2023
      ISBN13: 9780847873531, 978-0847873531
      ISBN10: 0847873536
      Also in:
      Art & Photography History of art Landscapes / seascapes in the arts

      Description

      Book Synopsis
      Recognized as a major Pop artist in his day, Allan D’Arcangelo (1930–1998) has yet to receive the critical reevaluation of painters like Roy Lichtenstein and James Rosenquist. His first monograph in nearly a decade introduces new audiences to his iconic paintings, particularly his celebrated visions of life on the road.

      Like Pop peers Andy Warhol and Ed Ruscha, Allan D’Arcangelo incorporated mass-manufactured images in works that elevate scenes of everyday American life. While his work often features imagery from more familiar 1960s art—Jacqueline Kennedy and Marilyn Monroe, smoking pin-up girls, Superman, Lucky Strike—it differs in the surreal elements he introduced to Pop tropes and romantic views of the American industrial landscape.

      D’Arcangelo once observed his “most profound experiences of landscape were looking through the windshield.” The artist brought a Pop sensibility to the tradition of landscape painting

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