Search results for ""Author Daniel Borzutzky""

Daniel Borzutzky, whose work Eileen Myles calls "violent, perverse, tender," offers a bracing new book that confronts violent action, from state sponsored torture and the bombing of civilians and other "non-essential personnel" to the collapse of the global economy, the barbarism of corporate greed, data fascism, and the deaths of immigrants attempting to cross borders. His book confronts the various horrors of our contemporary landscape through a poetry that literalizes violence, that seeks to find emotional connection and personal meaning in a world that is always exploding.

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In Written after a Massacre, Daniel Borzutzky rages against the military industrial complex that profits from violence, against the unfair policing of certain kinds of bodies, against xenophobia passing for immigration policy. He grieves for the children in cages and the martyrs of the Tree of Life synagogue shooting in Pittsburg. But pulsing amid Borzutzky’s outrage over our era’s tragedies is a longing for something better: for generosity to triumph over stinginess and for peace to transform injustice.

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Beginning with an epigraph from the 9/11 Commission Report, The Book of Interfering Bodies re-imagines the poet as bureaucrat, barbaric writer, and terrorist. In this book, poems that invoke the role of the writer in society alternate with apocalyptic prose pieces that recall Borges' "Library of Babel." In the process, Borzutzky creates a 21st century response to our most enduing twentieth century writers, from Beckett to Lispector.

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The fruition of decades of labor, Vicuña’s poetical works on the cosmologies and myths of the deer are now realized in a gorgeously designed artist’s book Inspired initially by Jerome Rothenberg’s translation Flower World Variations, which Cecilia Vicuña (born 1948) first encountered in 1985, Cecilia Vicuña: Deer Book brings together nearly 40 years of the artist’s poetry, "poethical" translations and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña’s texts—which include original compositions in Spanish as well as English translations by Daniel Borzutzky—become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities.

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