Search results for """ "American Andarte""
Alinet, LLC American Andarte
£17.09
Legare Street Press American Art Annual Volume 3
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£28.45
LEGARE STREET PR Illustrated Catalogue Of Rare Americana
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£22.75
Taylor & Francis Cold War American Exhibitions of Italian Art and
Book SynopsisEnriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950â53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII).Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers artâs role in this exhibitionâs importâprominent mid-century sculptors like Giacomo ManzÃ, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft power both within the American and Italian contexts. Fourth, it highlights the important role race and culture of Italians and Italian-Americans played in the installation and success of this exhibition. Lastly, therefore, this study connects an investigation of modernist sculpture, modern design, post-war exhibitions, sociology, and transatlantic politics and economics to highlight the important role sculpture played in post-war Italian and American cultural production.The book will be of interest to scholars working in art history, design history, museum studies, Italian studies, and American studies.Table of ContentsChapter 1 – Introduction: Art and Politics in an Exhibition of "Design" Chapter 2 – Organizing Italy at Work under the Auspices of the Marshall Plan Chapter 3 – Italian Americans as Stakeholders in an American Exhibition of Western Culture Chapter 4 – Ceramic Sculpture’s Special Role in Validating Italian Humanist Culture for an American Audience Chapter 5 – Displaying Italian Producers for American Consumers Chapter 6 – Thoughts on the Cultural Impacts of Italy at Work
£135.00
Oxford University Press The Oxford Dictionary of American Art and Artists
Book SynopsisWith the advent of abstract expressionism in the 1940s, America became the white hot center of the artistic universe. Now, in The Oxford Dictionary of American Art and Artists, the first such volume to appear in three decades, Ann Lee Morgan offers an informative, insightful, and long overdue resource on our nation''s artistic heritage. Featuring 945 alphabetically arranged entries, here is an indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism. Readers will find a wealth of factual detail and insightful analysis of the leading American painters, ranging from John Singleton Copley, Thomas Cole, and Mary Cassatt to such modern masters as Jackson Pollack, Romare Bearden, and Andy Warhol. Morgan offers razor-sharp entries on sculptors ranging from Alexander Calder to Louise Nevelson, on photographers such as Berenice Abbott, Man Ray, Walker Evans, and Ansel Adams, and on contemporary installation artists, including video master BTrade Review"Concise, clear, and very informative....There is really nothing comparable at this size or price....Essential."--CHOICE "This impressive work provides a wealth of information in succinct entries....An important text."--Imerican Reference Books Annual "Concise, clear, and very informative....There is really nothing comparable at this size or price....Essential."--CHOICE "This impressive work provides a wealth of information in succinct entries....An important text."--American Reference Books Annual
£31.44
LEGARE STREET PR The Life and Career of Major John André AdjutantGeneral of the British Army in America
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£21.80
LEGARE STREET PR Illustrated Catalogue Of Rare Americana
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£14.09
LEGARE STREET PR The Life and Career of Major John André AdjutantGeneral of the British Army in America
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£29.40
LEGARE STREET PR The Life of Major John André AdjutantGeneral of the British Army in America
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£29.40
Dumbarton Oaks Research Library & Collection American Art at Dumbarton Oaks
Book Synopsis
£16.16
WW Norton & Co American Art Deco
Book SynopsisA lavishly illustrated survey of American Art Deco architecture.
£43.19
Yale University Press American Art
Book SynopsisA tour through the Yale University Art Gallery’s holdings of American art, one of the most exceptional museum collections of its kind
£38.00
Taylor & Francis Cold War American Exhibitions of Italian Art and
Book SynopsisEnriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950â53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII).Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers artâs role in this exhibitionâs importâprominent mid-century sculptors like Giacomo ManzÃ, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the boundaries of fine art and craft to showcase innovative formalist aesthetics of modernism without falling in the critiques of modernism playing out on the international stage in terms of state funding for art. Third, the book engages with the larger socio-political use of art as a cultural soft pow
£39.99
American Museum of Western Art Painters and the American West Volume 2
Book Synopsis
£58.65
Thames & Hudson Ltd American Art and Architecture World of Art
Book SynopsisProvides an introduction to the history of American art and architecture from its 17th-century colonial beginnings to the installation and video work. Structured chronologically, this book not only discusses the key artists and architects, art works and buildings, but also defines the characteristics of the different periods.Table of Contents1. Graven Images • 2. Flattened Form • 3. The Grand Manner • 4. Landscape and Sentiment • 5. Art for Art’s Sake • 6. Academic Art 7. Early Modernism • 8. The Rise of Formalism • 9. The Fall of Formalism • 10. Art and Agenda
£10.40
MQ - University of Nebraska Press The Age of Lincoln and the Art of American Power
Book Synopsis
£35.10
£15.15
Yale University Press Boundary Trouble in American Vanguard Art
Book SynopsisA profound examination of the complex constructs that have kept outsider and self-taught artists on the margins of the mainstream
£52.25
Purdue University Press Arteletra: The Sixties in Latin America and the
Book SynopsisArteletra analyzes the Sixties in Latin America in order to revisit the core claim of literary and cultural studies to political relevancy in the contemporary world: the task of making visible the invisible. Though visibility can secure rights for the disenfranchised, it also risks subjecting them to the biopolitical and capitalist arrangements of space. What is at stake in this book is a series of aesthetic and ethical tools for engaging in politics - defined here as the potential to disagree - without first passing through visibility. These tools cohere around a practice Bartles calls ""the politics of going unnoticed,"" which he derives from an archive of three noteworthy, though under-appreciated, authors who wrote during the Sixties: Calvert Casey (1924 - 69), Juan Filloy (1894 - 2000), and Armon?¡a Somers (1914 - 94). For the first time ever, Casey, Filloy, and Somers are put in dialogue with one another to further demonstrate the unique contributions of Latin American writers to contemporary debates about the cross?¼roads of literatures and politics. What unites them is their shared investment in stories about those who go unnoticed. As a practice, going unnoticed creates space and opportunities for queer, rural, and female subjects, among others, to step back from unjust institutions. As a political discourse, going unnoticed deactivates the binary structures of biopolitics (e.g., visible/invisible, pure/filthy, friend/enemy) that divide humans from one another in the service of power and economic inequality. Though the politics of going unnoticed was ignored during the Sixties for its apparent individualism, these three writers work through alternatives to the politics of visibility that has animated political discourse on the left for the last half-century. More than a self-interested critique, going unnoticed opens new possibilities for engaging in the messy business of politics while imagining and creating better communities.Table of Contents Acknowledgments Introduction: ArteletrA al vesre PART ONE: The Itinerary of Errant Palindromes Chapter One: On Errant Palindromes Chapter Two: On Going Unnoticed Chapter Three: On Unattended Details PART TWO: The Politics of Going Unnoticed Chapter Four: A Double Negative in Cuba Chapter Five: An Errant Allegory in Argentina Chapter Six: A Nude Woman in Uruguay PART THREE: The Aesthetics of Writing in Plain Sight Chapter Seven: ¡Ay, epopeyA!; or, Filloy's Gauchos at the Origins Chapter Eight: ¡Sometamos o matemoS!; or, Somers's Mandrake Syndrome Chapter Nine: Supuso su puS; or, Casey's Wasted Narratives PART FOUR: The Ethics of Being Perceived Chapter Ten: Exposure through Dialogues Chapter Eleven: From Monodialogues to Pandemonium Chapter Twelve: Aiding the Adversary Conclusion: Re-ves la ArteletrA Notes Works Cited Index
£73.10
Legare Street Press Illustrated Catalogue of Valuable Paintings by Notable Foreign and American Artists Belonging to the Estate of Mary Adelaide Yerkes Estate of Isaac Stern Guy R. Bolton Charles B. Lawson J.H. Stanford and Mrs. Clarence M. Hyde
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£18.95
Creative Media Partners, LLC Memoirs of the American Academy of Arts and Sciences Volume 1809
£31.30
John Wiley and Sons Ltd The New Mandarins of American Power The Bush
Book Synopsis* A controversial and provocative view on an extremely timely and important topic. * Examines the neo--conservative foreign policies of the Bush administration and the Project for the New American Century. * Highly topical and will appeal to the media in the US and the UK.Trade Review"Essential reading for those who have fought against war over the past two years and who see it as the defining issue of our age." Socialist Review "This contemporary history by the UK's leading orthodox Marxist intellectual provides a satisfying narrative of the neo-conservative ascendance that enabled the second Iraq war ... New Mandarins of American Power is engaging, accessible and incisive." Thomas Daniels, Red Pepper "Deeply informed, balanced, and full of insights, this perceptive inquiry explores the rational basis for the aggressive unilateralism of the Bush administration that has frightened much of the world, arguing plausibly that it" is based on a largely accurate reading of the long-term economic and geopolitical threats facing US capitalism". It more than fulfills its goal of contributing to 'an understanding of the strange and frightening world' that is taking shape." Noam Chomsky "Of all those seeking to make sense of rampant American power, Alex Callinicos succeeds, outstandingly with his razor-sharp analysis and eloquent warning to us all." John PilgerTable of ContentsPrologue: At War Between the Two Rivers. 1. The Rhetoric of Conquest:. Between Good and Evil. Terrorism. Rogue states and the axis of evil. Weapons of mass destruction. Democracy. Liberal Alibis. 2. The Cultists of Eternal War:. The Bush Doctrine. Bush II: the Republican right take the helm. Chronicle of a war foretold. 3. The Grand Strategy of the American Empire:. American strategy after the Cold War. Exploiting America’s military edge. America versus Europe. 4. The Geopolitics of Oil:. Remaking the Middle East. Blood and oil. 5. Collision of Empires:. Imperialism and Empire. The peculiarities of American imperialism. A return to inter-imperialist rivalries. Catastrophe immanent. Epilogue Nemesis, the Daughter of Justice
£14.99
Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga Literatura hispanoamericana literatura y arte
Book Synopsis
£16.00
John Wiley and Sons Ltd The Art of TwentiethCentury American Poetry
Book SynopsisWritten by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. Encourages readers to identify with the modernists' sense of the revolutionary possibilities of their art. Embraces four generations of modernist American poets up through to the 1980s. Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry. Includes close readings of particular poems which show how readers can use these works to connect with what concerns them. Trade Review"Altieri reads modernist poetry with deep attention and pleasure because he believes that the “gamble” taken by modernism is worth our continued respect. That gamble is the possibility that these poems are not “an accompaniment to the world but the realization of how mind and world become one dynamic field.” Situating the experiments of modernist poetry in the context of early 20th-century scientific and philosophical developments, particularly in the understanding of sensation and perception, Altieri proposes the emergence of a “new realism.” This new realism has consequences for the intellectual and affective dimensions of poetry, for the conception of the poet as the seeing “I,” and for the kind of attention readers bring to a poem. The book traces a history ranging from the “impersonal” experiments of high modernism (Pound, Williams, Eliot, Loy, Moore and Stevens) to poems that construct new kinds of social identities (Zukofsky, Oppen, Hughes, and Auden) and, finally, to a range of later poets who, in various ways, interrogate the costs and limits of impersonality (Lowell, Rich, Creeley, Bishop, Ashbery). Offering lucid analyses of major poets, The Art of Twentieth-Century American Poetry demonstrates how reading a poem can be an exhilarating way of engaging with the world." Gail McDonald, University of North Carolina-Greensboro “Charles Altieri has the almost uncanny capacity to synthesize complex entities, such as the entire body of poetry of a major figure or the fraught interplay of a poetic movement, into a series of clear and incisive philosophical statements. It's not that he reduces poetry to philosophy--in fact, he gives many sensitive readings of individual poems--but that he is able to ferret out what is most crucially at stake in modern poetry and to present it crisply and succinctly. No one does a better job than Altieri of showing how much modern poetry has to contribute to an understanding of modern life.” Stephen Fredman, University of Notre Dame “The close readings of sometimes quite familiar poems are fresh and provocative, and the argument is one that makes a valuable contribution to our understanding of the legacy of the major modernist poets." Christopher MacGowan, College of William and Mary "Altieri is thoroughly captivating, especially when his precise, synthetic, and innovative interpretations focus on beloved poets such as T.S. Eliot, Marianne Moore, Wallace Stevens, W.H. Auden, Elizabeth Bishop and John Ashbery." The Wallace Stevens JournalTable of ContentsPreface and Acknowledgments. List of Abbreviations. 1 Introduction: The Art of Twentieth-Century American Poetry: An Overview. 2 The New Realism in Modernist Poetry: Pound and Williams. 3 The Doctrine of Impersonality and Modernism’s War on Rhetoric: Eliot, Loy, and Moore. 4 How Modernist Poetics Failed and Efforts at Renewal: Williams, Oppen, and Hughes. 5 The Return to Rhetoric in Modernist Poetry: Stevens and Auden. 6 Modernist Dilemmas and Early Post-Modernist Responses. Notes. Works Cited. Further Reading. Index
£84.50
Cambridge University Press American Modernism and the Cartographic Imagination
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£85.00
Stanford University Press Asian American Art
Book SynopsisA study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. It recovers the impressive artistic production of numerous Asian Americans, and offers informed interpretations of a long-neglected art history.Trade Review"...a must-read for specialists in American ethnic history.... It will surely remain a classic work in Asian American studies and—it is to be hoped—in American art history."—Greg Robinson, l'Université du Québec Montréal, Journal of American Ethnic History"Here are artists and work that have long been lost, forgotten, and in some cases deliberately hidden. I was impressed by the comprehensive, thoughtful, insightful, and sometimes provocative approach taken in the essays, but to see the art itself! We see the breadth and range of experience, styles, and obstacles both artistic and personal. What is western? What is eastern? How did citizenship, internment, or discrimination affect these artists? Asian American Art faces these questions and beyond."—Lisa See, author of Snow Flower and the Secret Fan and Peony in Love"I congratulate the team that has devoted years of work to this remarkable recovery of Asian American art making. Every library in the country should have this art history book on its reference shelves for its names, its biographies, its reproductions, and its fresh and inspirational stories of courage and dedication."—Wanda M. Corn, Professor Emerita, Stanford University"A dazzling collection of images and essays which recuperates a century of Asian American artistic production, Asian American Art: A History, 1850-1970 provides us, at long last, with a comprehensive and foundational work. More than a convenient ìbridge,î the hundreds of images reproduced here explode the static and tired categories of ìWesternî and ìEasternî art. Beyond introducing the art and the artists in depth and in context, the essays in this volume stand as a brilliant exploration into the historical meaning of Asian American art. This book challenges the reader to re-visualize American art and re-imagine American culture."—Robert G. Lee, Brown University"Ground breaking" and "historic" are terms often overused and overstated for the works they purport to describe. Both, however, are appropriate for this outstanding volume, which introduces readers to the breadth and depth of Asian American fine artists. This single work will spur enormous growth in the many fields it directly impacts, including American Studies, Art History, Asian American Studies, and American History. Another overused term: "A must read." In this case, understated. —Franklin Odo, Director, Smithsonian Institution Asian Pacific American Program"To my knowledge, there are few books about Asian American visual art before 1970. Asian American Art: A History, 1850-1970 brings this art into view, letting readers consider it from various perspectives. This valuable collection will surely stimulate discussion and new research and writing. It brings together many of the scholars best qualified to discuss Asian American art history."—Elaine Kim, Professor Asian American Studies, University of California, Berkeley"In an organized and heartfelt way, it recognizes art that once 'commanded little respect from any quarter of mainstream American,' as more than simply 'Oriental.'" —Nichi Bei Times
£30.40
LEGARE STREET PR A History of American Manufactures From 1608 to 1860 ... Comprising Annals of the Industry of the United States in Machinery Manufactures and Useful Arts With a Notice of the Important Inventions Tariffs and the Results of Each Decennial Ce
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£32.25
University of California Press American Art to 1900
Book SynopsisPresents the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. This book highlights such themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and popular culture and vernacular imagery.Table of ContentsIntroduction 1. THE COLONIAL ERA Art in an age of puritanism The Well-Dressed Puritan Icons and the Metaphor of Painting Cotton Mather on Art Thomas Smith's Reflection on Death Dissenting opinions: alternatives to puritan practice Quaker "Rules" on Tombstones John Valentine Haidt's Theory of Painting Art and the Spanish Conquest Advertisements Peter Pelham Scrapes a Mezzotint Runaway "Limners" John Durand Work forWomen Public Spectacle Early responses to portraits Pioneering artists John Smibert Documents BenjaminWest onWilliamWilliams Taste and theory Of the Knowledge of Painting The Use and Advantages of the Fine Arts Poems on portraits Training and the lure of europe John Singleton Copley: Ambition and Practicality CharlesWillson Peale in London and Philadelphia 2. REVOLUTION AND EARLY REPUBLIC Defining art John Adams on the Arts Public Art for the New Republic: Charles Willson Peale's Triumphal Arch The Place of the Arts in American Society An Early Scheme for a Museum of Sculpture Sculptors for the Capitol Wertmuller's Danae and "Nudities" "Native" Subjects vs. Continental Taste A Plan for Government Patronage of History Painting Citizens: documents on portrait painting Bushrod Washington Commissions a Portrait GeorgeWashington: The Image Industry Ralph Earl and Reuben Moulthrop: Connecticut Itinerant Painters Joshua Johnson Advertises Gilbert Stuart: Eyewitness Accounts President Monroe Discusses American Artists Charles Willson Peale's Advice to Rembrandt Peale Chester Harding: Self-Made Artist Artistic identity, artistic choices Benjamin West: A NewWorld Genius Conquers the Old Benjamin West, Patriarch of American Painting John Trumbull Paints Revolutionary History Washington Allston's Southern Roots Washington Allston and the Miraculous Sublime Washington Allston in Boston Washington Allston's "Secret Technique" Washington Allston's Idealism John Vanderlyn's Bid for Fame John Vanderlyn Paints an American Epic John Vanderlyn's Panorama Samuel Morse's The House of Representatives Rembrandt Peale's The Court of Death The establishment of artistic categories Landscape Charles Willson Peale's Moving Pictures Timothy Dwight Views Greenfield Hill The American Gothic Landscapes of Charles Brockden Brown The Earliest Guide to Sketching Landscape Still Life: Raphaelle Peale Genre: John Lewis Krimmel Early institutions Philadelphia Charles Willson Peale's Museum The Columbianum Quaker City Arts Organizations, c. 1810 New York: The American Academy of the Fine Arts Boston: John Browere's Gallery 3. ANTEBELLUM AMERICA: VALUES AND INSTITUTIONS Art in a democratic nation The Importance of the Genres Art in a Mercantile Culture Charles Fraser Considers Art, Society, and the Future William Dunlap Champions the Arts Ralph Waldo Emerson's Living Art The Anti--"American School" Joel HeadleyWaves the Flag of American Art On Mechanics and the Useful Arts Building institutions The National Academy of Design The Founding The Early Years Growing Polarization The American Art-Union Collectors and patrons Thomas Cole and His Patrons Thomas Cole Laments the Taste of the Times William Sidney Mount Chooses a Subject Instructions for Collectors James Fenimore Cooper Commissions a Statue Art and Private Property 4. ANTEBELLUM AMERICA: LANDSCAPE, LIFE, AND SPECTACLE The american landscape Literary Landscapes James Fenimore Cooper's Forest Primeval Educating the Gaze: Benjamin Silliman on Monte Video The Glory of an American Autumn Romantic Nature For the Birds: John James Audubon and American Nature Thomas Cole and the American Landscape The Poetry of Landscape: Thomas Cole in Verse Thomas Cole and the Course of Empire American Sites: Tourist Literature Tourists in the Landscape The Railroad in the Landscape Transcendental Nature Emerson's Transcendent Natural World Nature, Wild and Tame Asher B. Durand Formulates the American Landscape The Hudson River School in Public Facing Nature: Jasper Cropsey and Sanford Gifford The National Landscape in Repose: John Frederick Kensett Fitz Henry Lane, Marine Painter Extraordinary American life Ralph Waldo Emerson on Native and National Art William Sidney Mount and the Celebration of National Character William Sidney Mount's Thoughts on Art, Life, and Travel Abroad The Significance of Bumps on the Skull Walt Whitman on American Painting David Gilmour Blythe on Modern Times Lilly Martin Spencer: Making It in New York Artists of color and the representation of race The Public Display of Slavery William Sidney Mount's Ambivalence on Race Frederick Douglass on African American Portraiture The Verses of Dave the Potter J.P. Ball's Panorama of Slavery An Imaginary Picture Gallery Eastman Johnson's Negro Life at the South Artists: advice and careers Rufus Porter's Recipe for Mural Painting Thomas Seir Cummings on Miniature Painting A Folk Artist Overcomes a Disability Thomas Sully's Hints to Young Painters 5. ANTEBELLUM AMERICA: PUBLIC ART AND POPULAR ART The U.S. government as patron: decoration of the capitol Horatio Greenough's George Washington Lobbying for Capitol Commissions The Liberty Cap as a Symbol of Slavery Artists Weigh In on Art in the Capitol Art in public Hiram Powers's The Greek Slave The Public Display of the Nude George Templeton Strong Visits the National Academy Too Many Portraits? Henry James Remembers a New York Childhood Popular art, edification, and entertainment Responses to the Daguerreotype Taste and Print Culture Daniel Huntington's Mercy's Dream Gift Books and Sentimental Culture High and Low: Taste in Painting Currier & Ives: Art Hand in Hand with Business OliverWendell Holmes on Stereographs The American Museum 6. ANTEBELLUM AMERICA: EXPANDING HORIZONS International travel and exchange Dusseldorf and the Dusseldorf Gallery The Lure of Italy Manifest destiny Manufacturing history American History, Pro and Con The American Spirit of Emanuel Leutze Emanuel Leutze's Clash of Civilizations Washington Crosses the Delaware: Birth of an Icon Art on and of the frontier The Noble Savage/Vanishing Race George Catlin Portrays the Native Americans Prince Max and Karl Bodmer among the Mandan American Indians as Spectacle American Indians as Pictorial Material Western Life George Caleb Bingham:Western Life andWestern Politics Critics on Bingham, East andWest Life on the Mississippi in John Banvard's Panorama William Jewett's Letters from California Frederic church's sublime landscapes Heart of the Andes After Icebergs with a Painter 7. THE 1860s Taking stock The Photograph and the Face A Sunny View of American Progress in Art James Jackson Jarves's The Art-Idea Henry T. Tuckerman's Book of the Artists Sculpture in Mid-century America Landscape at a crossroads: nature seen through telescope and microscope The American Pre-Raphaelites Albert Bierstadt's Great Picture Variations on a Scene: John Frederick Kensett, Albert Bierstadt, and Thomas Hill Too Many Landscapes Civil war The War and the Artist A Southern View of the Arts duringWar Photographs of Antietam Sanitary Fairs History Painting and theWar Winslow Homer's Prisoners from the Front Race Sojourner Truth Inspires a Sculptor John Quincy AdamsWard's Freedman AnneWhitney's Africa Postwar Painting and Race Art after conflict Memorializing theWar The National Academy of Design: Praise and Condemnation Settling In: Artists in Their Studios The Conditions of Art in America Dissatisfaction with Artists What Does Art Teach Us? Is Religious Art Still Relevant? 8. THE GILDED AGE: LIFE AND LANDSCAPE AT HOME Nationalism and home subjects Eugene Benson's French Gospel for Truly American Art Home Subjects and Patriotic Painting Eastman Johnson's Formula for Success Art in the South Modes of realism Winslow Homer, All-American Damnable Ugly: Henry James on Homer Winslow Homer's Working Methods Winslow Homer's Sea Change Winslow Homer's Savage Nature and Primal Scenes Thomas Eakins in Europe Thomas Eakins's The Gross Clinic Mariana Griswold Van Rensselaer Meets Thomas Eakins Eadweard Muybridge's Serial Photographs Race and representation Robert Duncanson and "Passing" Edward Bannister and George Bickles: Discrimination and Acceptance Winslow Homer: Painting Race Henry Ossawa Tanner Landscapes: east and west The Old Northeast Armchair Tourism and Picturesque America Poetry in Paint: Art in Boston George Inness and the Spiritual in Art George Inness and the Landscape of the Mind The New West William Henry Jackson: Photographing theWest Thomas Moran and theWestern Sublime Frederic Remington'sWildWest Cultural Intersections: Native Art and theWhite Imperial Gaze 9. THE GILDED AGE: ART WORLDS AND ART MARKETS Art on the market French Art in New York Buy American Art as Commodity Artists Broker TheirWork American Artists: Starving or Selling Out ArtWorld Diaries: Jervis McEntee and J. Carroll Beckwith Studio life and art society New Men andWomen in New York Artists and Models William Merritt Chase's Super-Studio Elizabeth Bisland Roving the Studios The Tile Club: Play asWork Artists in Their Summer Havens Varnishing Day 10. THE GILDED AGE: EDUCATION, INSTITUTIONS, AND EXHIBITIONS Education A Cautionary Essay on Art Instruction Boston William Morris Hunt's Talks on Art The Massachusetts Drawing Act of 1870 Chicago Sculpture at the Art Institute of Chicago New York Labor and Art on the Lower East Side LemuelWilmarth on the Life Class Breaking Away: The Art Students League Philadelphia The School of the Pennsylvania Academy of the Fine Arts The Pennsylvania Museum and School of Industrial Art San Francisco A Deaf Artist in San Francisco Art institutions Young Turks: The Formation of the Society of American Artists The Need for American Museums George Inness on Art Organizations The philadelphia centennial and the colonial revival E. L. Henry Dreams of the Past The Centennial Exhibition The Colonial Revival Landscape 11. COSMOPOLITAN DIALOGUES Internationalism The Tariff Controversy Internationalist Backlash The Return from Europe Friedrich Pecht: A German Critic on American Art Americans Abroad Art education Germany The Munich School France Will Low Remembers Barbizon J. AldenWeirWrites Home about Jean-Leon Gerome Elizabeth Boott Studies with Thomas Couture Kenyon Cox Struggles in Paris May Alcott Nieriker's Tips for Study in Paris Student Life at the Ecole des Beaux-Arts A Midwesterner in the City of Light The nude Kenyon Cox's Lonely Campaign for the Nude Anthony Comstock vs. Knoedler & Co. Augustus Saint-Gaudens Resigns Arch-expatriates James McNeillWhistler, Expatriate Extraordinaire Art on Trial: James McNeillWhistler vs. John Ruskin James McNeillWhistler's Platform James McNeillWhistler and the Critics John Singer Sargent, Man of theWorld New women in art Women Sculptors in the Eternal City A Feminist Looks at Harriet Hosmer Women Artists,Woman's Sphere Mary Cassatt, ModernWoman Cecilia Beaux: Becoming the GreatestWoman Painter ShouldWomen Artists Marry? The ArtWorkers' Club forWomen Advice forWomen Photographers 12. NEW MEDIA, NEW TASTEMAKERS, NEW MASSES Critical voices Eugene Benson Earl Shinn on Criticism Mariana Griswold Van Rensselaer Assesses the Progress of American Art Sylvester Koehler Reflects on a Decade of American Art William Howe Downes and Frank Torrey Robinson's "Critical Conversations" The little media Watercolor The American Taste forWatercolor A Child's View of theWatercolor Show Pastel The Society of American Painters in Pastel JamesWells Champney on Pastels Etching The "First" American Etching Two Views on Etching Women Etchers: Mary Nimmo Moran Otto Bacher onWhistler in Venice Wood Engraving Popular art and its critique The Nation vs. Prang & Co. John Rogers, the People's Sculptor The Trouble with Monuments William Harnett's After the Hunt and The Old Violin The Gap between Professionals and the Public John George Brown, the Public's Favorite In the magazines: the new illustrators In Defense of Illustration Howard Pyle's Credo Charles Dana Gibson, All-American Illustrator Women in Illustration amateur or artist? debates on photography Amateurs Pictorialism 13. BEAUTY, VISION, AND MODERNITY The aesthetic movement OscarWilde's American Tour Advice to Decorators Poking Fun at Aestheticism Aesthetic and IndustriousWomen Japonisme John La Farge's Revolution in Stained Glass Impressionism: critical reception American Artists Confront Impressionism French Impressionism Comes to America Impressionism: american practices The Americanization of Impressionism William Merritt Chase, Seeing Machine Childe Hassam on Painting Street Scenes Impressionism: eclectic practices Genealogies of Tonalism Thomas Wilmer Dewing, Choice Spirit Praise for John Twachtman Refinement in Boston: Edmund Tarbell The Sensuous Color of John La Farge Art colonies Summer Colonies Vacationing with Art in Shinnecock Hills Living the Life of Art in Cornish Beyond the threshold: visionaries and dreamers William Rimmer: Angels and Demons Elihu Vedder, Mystical Joker Albert Pinkham Ryder: The Myth of the Romantic Primitive 14. IMPERIAL AMERICA The world's columbian exposition Experiencing the Fair Popular Art at the Fair Mural painting Edwin Howland Blashfield Defines Mural Painting Kenyon Cox Negotiates a Commission Public sculpture The Farragut Monument The National Sculpture Society Karl Bitter on Sculpture for the City A Victory Monument over Fifth Avenue Retrospectives and prospects California vs. the East Coast The Clarke Sale Cements the Value of American Art American Art Poised for a New Century Surveying the Century: Samuel Isham and Charles Caffin Acknowledgments List of Illustrations Index
£30.60
Indiana University Press Railroads Art and American Life
Book SynopsisTrade Review"Few industries have contributed to the development of the United State as the railroads have. Behind the muscle and reach of these networks, the locomotives, the engineering feats is a human story. J. Craig Thorpe is one of the great artists we have who has captured the awe of this industry, its people and the land it serves. His art both educates and inspires us because there is a reverence to his work and an incomparable dedication to detail. What could have been a book simply cataloging his art is so much more because it is also about his journey in life, the people he met, the way he conceptualized his art and, perhaps most poignantly, wondering how this type of art will survive in a digital age. Whether you simply like trains or appreciate the beauty of art in its purest form, then this book should be a part of your library."—Joe McHugh; Amtrak Executive, 1994-2020"J. Craig Thorpe is a dear friend to the White Pass & Yukon Route (WP&YR) because he augmented the brand with artwork that communicated the railway's history, scenery and experience. His work was featured on more than a decade of the coveted annual wall calendars and an extensive retail product line. His numerous works showcasing the White Pass' events, rolling stock and facilities are testament to the depth of WP&YR relationship with Craig. I celebrate his friendship and artwork as a legacy memory of my years at the White Pass. I invite everyone to join Craig through this book as he shares highlights of this vision and passion for railroads through his experience and artwork."—Michael D. Brandt; former Sr. Vice President, White Pass & Yukon Route"Craig Thorpe has put together a fascinating collection of railroad art. Most of these images are Thorpe's posters done for railroad advertising and some for fans for good rail art. There are historic scenes such as GN's Empire Builder arriving in Minneapolis and a B&O streamliner at Silver Spring, MD. Contemporary settings include a dramatic late afternoon view of an Amtrak train on Hell Gate Bridge and trains passing Glacier National Park. Some vintage rail art, such as Jasper Cropsey's "Starrucca Viaduct" and Pennsy's WWII version of "Rosie the Riveter" are included. Unquestionably Thorpe has produced a book worthy of many a library."—Rush Loving Jr., author of The Men Who Loved TrainsTable of ContentsForewordAcknowledgmentsIntroduction1. Unfolding a Career2. Shaped by the Message3. Painting the Past4. Painting the Present5. Painting the Possible6. From Commission to CelebrationEpilogueNotesIndex
£28.80
Hardpress Publishing Book of the Artists American Artist Life Comprising Biographical and Critical Sketches of American Artists Preceded by an Historical Account of the Rise and Progress of Art in America 1
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£22.23
LEGARE STREET PR American Art And American Art Collections
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£33.20
Legare Street Press A Discourse Delivered Before the American Academy of the Arts
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£13.22
Stanford University Press Asian American Art
Book SynopsisA study of the lives and artistic production of artists of Asian Ancestry active in the United States before 1970. It recovers the impressive artistic production of numerous Asian Americans, and offers informed interpretations of a long-neglected art history.Trade Review"...a must-read for specialists in American ethnic history.... It will surely remain a classic work in Asian American studies and—it is to be hoped—in American art history."—Greg Robinson, l'Université du Québec Montréal, Journal of American Ethnic History"Here are artists and work that have long been lost, forgotten, and in some cases deliberately hidden. I was impressed by the comprehensive, thoughtful, insightful, and sometimes provocative approach taken in the essays, but to see the art itself! We see the breadth and range of experience, styles, and obstacles both artistic and personal. What is western? What is eastern? How did citizenship, internment, or discrimination affect these artists? Asian American Art faces these questions and beyond."—Lisa See, author of Snow Flower and the Secret Fan and Peony in Love"I congratulate the team that has devoted years of work to this remarkable recovery of Asian American art making. Every library in the country should have this art history book on its reference shelves for its names, its biographies, its reproductions, and its fresh and inspirational stories of courage and dedication."—Wanda M. Corn, Professor Emerita, Stanford University"A dazzling collection of images and essays which recuperates a century of Asian American artistic production, Asian American Art: A History, 1850-1970 provides us, at long last, with a comprehensive and foundational work. More than a convenient ìbridge,î the hundreds of images reproduced here explode the static and tired categories of ìWesternî and ìEasternî art. Beyond introducing the art and the artists in depth and in context, the essays in this volume stand as a brilliant exploration into the historical meaning of Asian American art. This book challenges the reader to re-visualize American art and re-imagine American culture."—Robert G. Lee, Brown University"Ground breaking" and "historic" are terms often overused and overstated for the works they purport to describe. Both, however, are appropriate for this outstanding volume, which introduces readers to the breadth and depth of Asian American fine artists. This single work will spur enormous growth in the many fields it directly impacts, including American Studies, Art History, Asian American Studies, and American History. Another overused term: "A must read." In this case, understated. —Franklin Odo, Director, Smithsonian Institution Asian Pacific American Program"To my knowledge, there are few books about Asian American visual art before 1970. Asian American Art: A History, 1850-1970 brings this art into view, letting readers consider it from various perspectives. This valuable collection will surely stimulate discussion and new research and writing. It brings together many of the scholars best qualified to discuss Asian American art history."—Elaine Kim, Professor Asian American Studies, University of California, Berkeley"In an organized and heartfelt way, it recognizes art that once 'commanded little respect from any quarter of mainstream American,' as more than simply 'Oriental.'" —Nichi Bei Times
£59.40
LEGARE STREET PR Hand Book of American Indian Languages
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£26.55
The University of Chicago Press Outliers and American Vanguard Art
Book Synopsis
£56.00
Legare Street Press The American Exhibition of the Arts Inventions Manufacturers Products and Resources of the United States of America
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£14.09
LEGARE STREET PR The Standard American Encyclopedia Of Arts Sciences History Biography Geography Statistics And General Knowledge
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£29.40
LEGARE STREET PR A History of American Manufactures From 1608 to 1860 ... Comprising Annals of the Industry of the United States in Machinery Manufactures and Useful Arts With a Notice of the Important Inventions Tariffs and the Results of Each Decennial Ce
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£24.65
HardPress Publishing Book of the Artists American Artist Life Comprising Biographical and Critical Sketches of American Artists Preceded by an Historical Account of the Rise and Progress of Art in America
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£20.85
LEGARE STREET PR American Art And American Art Collections
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£25.60
New York University Press The End of the American Avant Garde American
Book SynopsisIn this thought provoking work, Hobbs traces the avant garde from its origins to its eventual appropriation by a conservative political agenda, consumer culture and the institutional world of art.Trade ReviewA significant work for intellectual and cultural historians, this is a tight, . . . focused examination of an important aspect of recent American culture. * Choice *Hobbs provides ample grounds for readers to ponder the interplay between particular movements in the arts and a larger American culture in the late 1950s and early 1960s. * American Historical Review *
£23.74
Stanford University Press Urban Verbs Arts and Discourses of American
Book SynopsisSpeaking to the ongoing debate over the development of urban space and culture, this book demonstrates the centrality of the physical and social being of cities to American literature and other arts in the twentieth century.
£59.40
Hardpress Publishing The Two Dictators Francia and Rosas the System of the Former as Adopted and Openly Supported by the Dictator of BuenosAires 2 Articles Repr and Plata the Latter from Archivo Americano 1
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£12.03
Princeton University Press The American Manufactory Art Labor and the World
Book SynopsisA history of American federalism that argues that nation-building cannot be understood apart from the process of industrialization and the making of the working class in the late-eighteenth-century United States.Trade Review"An astute analysis... Rigal has written an important book that raises important questions. This alone makes it essential reading for those interested in deepening our understanding of early national culture."--Ronald Schultz, American Historical Review "A meticulous, sophisticated, and varied tableau."--Andrew M. Schocket, Journal of the Early Republic "A fascinating and complex mix of provocative readings of the early nation's cultural productions."--Ellen Fernandez-Sacco, William and Mary Quarterly "Rigal has written an innovative and highly suggestive book... [Her] analyses are immensely interesting and largely persuasive."--Stephen P. Rice, Reviews in American HistoryTable of ContentsLIST OF ILLUSTRATIONS ACKNOWLEDGMENTS INTRODUCTION The Extended Republic in the Age of Manufactures PART I: FEDERAL MECHANICS CHAPTER ONE Raising the Roof: Authors, Architects, and Artisans in the Grand Federal Procession of CHAPTER TWO The Mechanic as the Author of His Life: John Fitch's "Life" and "Steamboat History" PART II: THE MAMMOTH STATE CHAPTER THREE Peale's Mammoth CHAPTER FOUR The American Lounger: Figures of Failure and Fatigue in the Port Folio, PART III: THE STRONG BOX CHAPTER FIVE Feathered Federalism: Alexander Wilson's American Ornithology, CHAPTER SIX Picture-Nation: Pat Lyon at the Forge, NOTES INDEX
£46.80
ME - Fordham University Press The American ArtUnion
Book Synopsis
£104.40
Phaidon Press Ltd The American Art Book
Book SynopsisThe groundbreaking survey, showcasing 500 of the greatest American artists, now updated in an essential new editionA lavish glimpse not only into American Art, but into the history of the century as well.' The TimesFully revised and updated, this new edition of Phaidon's seminal volume The American Art Book provides an unparalleled look into the richness and diversity of American art. Covering more than three centuries, this stunning survey tells the history of a country through its most vital artists, each of whom has been thoughtfully selected for inclusion by an advisory team of leading curators, historians, and institutional directors.From the earliest colonial portraitists, Impressionist luminaries, the giants of Modernism, earthwork innovators, and Pop Art icons to today's contemporary visionaries, each artist is represented by a key work, an introductory text written by an expert in the field, and cross-references to other artists, inspiring new connections through art history.Featured artists include: Ansel Adams, Josef Albers, Diane Arbus, Ruth Asawa, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, Romare Bearden, Alexander Calder, Vija Celmins, Frederic Edwin Church, John Singleton Copley, Gregory Crewdson, Helen Frankenthaler, Jared French, Felix Gonzalez-Torres, Robert Gwathmey, Keith Haring, Barkley L. Hendricks, Jenny Holzer, Arthur Jafa, Joshua Johnson, Henrietta Johnston, Alex Katz, Gaston Lachaise, Jacob Lawrence, Edmonia Lewis, Maya Lin, Man Ray, Ana Mendieta, Senga Nengudi, Nam June Paik, Jackson Pollock, Robert Rauschenberg, Jaune Quick-to-See Smith, Andy Warhol, and Carrie Mae WeemsAdvisors include: Aleesa Pitchamarn Alexander, Kathleen Ash-Milby, Horace D. Ballard, David Breslin, Mel Buchanan, JR Henneman, Rujeko Hockley, Jonathan D. Katz, Franklin Kelly, Harper Montgomery, Lowery Stokes Sims, Juliet Sperling, Bradley Sumrall, and Leslie Umberger
£47.96
Potomac Books Inc The Age of Jackson and the Art of American Power
Book SynopsisAs William Nester asserts in The Age of Jackson, it takes quite a leader to personify an age. A political titan for thirty-three years (18151848), Andrew Jackson possessed character, beliefs, and acts that dominated American politics.
£35.10
Taylor & Francis Ltd Locating American Art
Book SynopsisHow does museum location shape the interpretation of an art object by critics, curators, art historians, and others? To what extent is the value of a work of art determined by its location? Providing a close examination of individual works of American art in relation to gallery and museum location, this anthology presents case studies of paintings, sculpture, photographs, and other media that explore these questions about the relationship between location and the prescribed meaning of art. It takes an alternate perspective in that it provides in-depth analysis of works of art that are less well known than the usual American art suspects, and in locations outside of art museums in major urban cultural centers. By doing so, the contributors to this volume reveal that such a shift in focus yields an expanded and more complex understanding of American art. Close examinations are given to works located in small and mid-sized art museums throughout the United States, museums that generally Trade Review'Locating American Art is truly groundbreaking in every sense of the word. With its focus on lesser-known collections, this compendium of essays by a diverse group of scholars unearths manifold treasures in unexpected places far from the metropolis and its powerful institutions. Excitingly eclectic in its approach, the book embraces artists both canonical and obscure, celebrated and utterly unsung, and arrays them on a level playing field. It vividly suggests just how much there is still to discover by venturing beyond the center and delving wholeheartedly into the rich ground of the periphery. Altogether, Locating American Art is an invigorating departure from business as usual.' Sarah Burns, Indiana University, Bloomington, USA'An impressive achievement, Locating American Art is a tightly knit anthology of case studies that shifts attention from our usual focus on major artworks in major collections to those that reside in university museums, historic houses, even high schools and department stores. Forcing us to recognize that the institution an artwork calls home shapes its interpretation, it implicitly critiques the canon and offers alternative narratives for art of the United States. The range of participating authors, their diverse methodologies and probing scholarship make this an exciting and significant volume. "Location, location, location," the mantra of real estate, should now also be embraced by art history. This book has the potential to be a game-changer.' Katherine Manthorne, City University of New York, USATable of ContentsIntroductionCynthia FowlerSection I. Local History/Local Artists1. Miguel de Baca, Blurred Boundaries: La Muerte en su Carreta as Artifact and Symbol (Colorado Springs Fine Arts Center, Colorado Springs, CO)2. Adrienne Baxter Bell, Echoes of the East, Echoes of the Past: Charles Caryl Coleman’s Azaleas and Apple Blossoms (de Young Fine Arts Museum, San Francisco, CA)3. Erika Schneider, Shot through the Heart, the Woman is to Blame: Philip Leslie Hale Performs a Symbolist Game (Danforth Art, Framingham, MA)4. Herbert Hartel, Raymond Jonson: A Southwestern Modernist Alone on the Prairies (Joslyn Museum, Omaha, NE)5. Jessica Martin, At the Margins: The Undiscovered Art of Josephine Tota (Memorial Art Gallery, University of Rochester, Rochester, NY)Section II. Marginalized Works Reinterpreted6. Traci Costa, Edward Mitchell Bannister and the Aesthetics of Idealism (Smithsonian American Art Museum, Washington, DC)7. Emily Burns, Wandering Pictures: Locating Cosmopolitanism Frederick A. Bridgman’s The Funeral of a Mummy on the Nile (Speed Art Museum, Louisville, KY)8. Henry Adams, "The One I Most Love" - Thomas Eakins's Portrait of Samuel Murray (Mitchell Museum at Cedarhurst Center for the Arts, Mount Vernon, IL)9. James Swenson, Maynard Dixon and the Forgotten Man (Brigham Young University Museum of Art, Provo, UT)10. Jessica Murphy, Arthur Dove’s Carnival: Nature, Structure, and the Problem of Permanence (Montclair Art Museum, Montclair, NJ)11. Lara Kuykendall, Palmer Hayden's John Henry Series: Inventing an American Hero (Museum of African American Art, Macy's department store, Los Angeles, CA)Section III. Art Outside of the Art Museum12. Kimberlee Cloutier-Blazzard, The Portrait of Mary McIntosh Sargent in the Sargent House Museum: Slavery and "Natural Slavery" in Federalist Era America (Sargent House, Gloucester, MA)13. Sara Picard, An Oblique View of New Orleans's St. Louis Cathedral (Louisiana State Museum, New Orleans, LA)14. Laura Smith, Complex Negotiations: Beadwork, Gender, and Modernism in Horace Poolaw’s Portrait of Two Kiowa Women (Nash Library, University of Science and Arts of Oklahoma, Chickasha, OK)15. Elizabeth Kuebler-Wolf and Connie Cutler, Jean Helion, La Fille au Reflect de l'Homme (Portrait of Pegeen Guggenheim) (Peru High School, Peru, IN)16. Sandra Cheng, Silent Protest and the Art of Paper Folding: The Golden Venture Paper Sculptures at the Museum of Chinese in America (New York, NY)
£150.00
