Description
Book SynopsisOffers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity
Trade ReviewKatrina Daly Thompson has made a fine contribution to scholarship on African cinema . . . This is a book that will enrich discussions of African film and media studies for years to come.
* African Studies Review *
Thompson (UCLA) analyzes identity discourses through cinematic arts—films, documentaries, television programs, videos—consumed (whether or not produced) in Zimbabwe. . . . Beside bringing issues of race, financing, ethnicity, and language to the discussion, she also considers the 2001 Broadcasting Services Act, which was meant to liberalize the field and stem Western influence. . . Recommended.
* Choice *
Katrina Daly Thompson's study of Zimbabwean film and television presents a valuable addition to the ever-expanding corpus of analytical and historical studies on African film and media.
* Africa *
Most compelling in Thompson's study is her close attention to uses of language and culture, which she argues contest state-defined and state-controlled meaning in broadcast media. Recognizing culture as a socially negotiated process, the book uses critical discourse analysis to interrogate power structures and flows.
* African Arts *
Table of ContentsAcknowledgments
Abbreviations
Introduction: Cultural Identity in Discourse
1. A Crisis of Representation
2. Cinematic Arts before the 2001 Broadcasting Services Act: Two Decades of Trying to Build a Nation
3. Authorship and Identities: What Makes a Film "Local"?
4. Changing the Channel: Using the Foreign to Critique the Local
5. Power, Citizenship, and Local Content: A Critical Reading of the Broadcasting Services Act
6. Language as a Form of Social Change: Public Debate in Local Languages
Conclusion: Possibilities for Democratic Change
Notes
Bibliography
Filmography
Index
