Description

Book Synopsis

Zen of Drawing inspires you to pick up a pen, pencil or an iPad and start drawing what you see with a 'zen' approach.

Author Peter Parr has spent his career in animation successfully teaching people to draw and encouraging students to nurture their skills through observational drawing. He advocates a fresh way of looking closely at your subject and enlisting an emotional response, in order to fully appreciate the nature of what you are about to draw.

You will learn that whatever you are drawing, it is essential not only to copy its outline but also to ask yourself: is it soft, smooth or rough to the touch? How heavy is it? Is it fragile or solid? Then, having grasped the fundamental characteristics, or zen, of the object, make corresponding marks on the paper – crisp textures, a dense wash, a scratchy or floating line.

The chapters cover: keeping a sketchbook; tools (pen, pencil, charcoal, watercolour and iPad); perspective; line and volume; tone and texture; structure and weight; movement and rhythm; energy, balance and composition.

Zen of Drawing: How to Draw What You See

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    RRP £14.99 – you save £1.50 (10%)

    Order before 4pm today for delivery by Wed 24 Jun 2026.

    A Hardback by Peter Parr

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      View other formats and editions of Zen of Drawing: How to Draw What You See by Peter Parr

      Publisher: Batsford Ltd
      Publication Date: 17/09/2015
      ISBN13: 9781849941945, 978-1849941945
      ISBN10: 1849941947

      Description

      Book Synopsis

      Zen of Drawing inspires you to pick up a pen, pencil or an iPad and start drawing what you see with a 'zen' approach.

      Author Peter Parr has spent his career in animation successfully teaching people to draw and encouraging students to nurture their skills through observational drawing. He advocates a fresh way of looking closely at your subject and enlisting an emotional response, in order to fully appreciate the nature of what you are about to draw.

      You will learn that whatever you are drawing, it is essential not only to copy its outline but also to ask yourself: is it soft, smooth or rough to the touch? How heavy is it? Is it fragile or solid? Then, having grasped the fundamental characteristics, or zen, of the object, make corresponding marks on the paper – crisp textures, a dense wash, a scratchy or floating line.

      The chapters cover: keeping a sketchbook; tools (pen, pencil, charcoal, watercolour and iPad); perspective; line and volume; tone and texture; structure and weight; movement and rhythm; energy, balance and composition.

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