Description
Book SynopsisTable of ContentsContents: Tracey L. Walters
: Introduction – Matthew Paproth: The Flipping Coin: The Modernist and Postmodernist Zadie Smith – Ulka Anjaria:
On Beauty and Being Postcolonial: Aesthetics and Form in Zadie Smith – Urszula Terentowicz-Fotyga: The Impossible Self and the Poetics of the Urban Hyperreal in Zadie Smith’s
The Autograph Man – Maeve Tynan: «Only Connect»: Intertextuality and Identity in Zadie Smith’s
On Beauty – Raphael Dalleo: Colonization in Reverse:
White Teeth as Caribbean Novel – Susan Alice Fischer: «Gimme Shelter»: Zadie Smith’s
On Beauty – Tracey L. Walters: Still Mammies and Hos: Stereotypical Images of Black Women in Zadie Smith’s Novels – Sharon Raynor: From the Dispossessed to the Decolonized: From Samuel Selvon’s
The Lonely Londoners to Zadie Smith’s «Hanwell in Hell» – Lexi Stuckey: Red and Yellow, Black and White: Color-Blindness as Disillusionment in Zadie Smith’s «Hanwell in Hell» – Kris Knauer: The Root Canals of Zadie Smith: London’s Intergenerational Adaptation – Z. Esra Mirze: Fundamental Differences in Zadie Smith’s
White Teeth – Katarzyna Jakubiak: Simulated Optimism: The International Marketing of
White Teeth.
