Description
Book SynopsisThis novel by Maylis Besserie, the first of her Irish trilogy, shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home. It is as if Beckett has come to live in one of his own stage productions, peopled with strange, unhinged individuals, waiting for the end of days.
Yell, Sam, If You Still Can is filled with voices. From diary notes to clinical reports to daily menus, cool medical voices provide a counterpoint to Beckett himself, who reflects on his increasingly fragile existence. He remains playful, rueful, and aware of the dramatic irony that has brought him to live in the room next door to Winnie, surrounded by grotesques like Hamm or Lucky, abandoned by his wife Suzanne who died before him.
Besserie delights in Beckett’s bilingualism and plays back and forth between the francophone and anglophone properties of language, summoning James Joyce as Beckett reminisces about evenings the two spent together singing, talking and drinking. Largely written in the library of the Centre Culturel Irlandais, Besserie has kept the hum of Irish voices throughout this work.
Yell, Sam, If You Still Can won the “Goncourt du premier roman”, the prestigious French literary prize for first time novelists, just before the country went into lockdown. Besserie is now planning a further two novels that will explore the links between Ireland and France and is touted as the new star of the French literary world.
Financial Times Book of the Year 2022
Trade Review‘Maylis Besserie and her translator Clíona Ní Ríordáin create Beckett's inner voice so convincingly in the novel that at times you think it might have been written by the man himself.’
Judge David Mills, Scott Moncrieff Prize
Recounting the last days of a writer whose main subject was finitude is a challenge. Maylis Besserie pulls off the exercise with finesse.
-- Virginie Block-Lainé * Elle *
The last months of Samuel Beckett’s life are tested by the inner voice of the writer in the retirement home where he ended his life. Lunar and poignant.
-- Antoine Perraud * La Croix *
The author uses her radio-producing skills to create a polyphonic world with a collage of distinct and interweaving documents and voices.
-- Kathleen Shields * Dublin Review of Books *
remarkable ... [Besserie] carries it off so convincingly, with such elan and poetic force ... she evokes, subtly and with great skill, a fitting intensity, bleak lyricism and black humour ... Yell, Sam, If You Still Can is the work of a writer already in command of a resonant style and a broad artistic reach
JOHN BANVILLE,
THE GUARDIAN
'imaginative, informed, magnificently written book about Samuel Beckett's last days in a Parisian nursing home ... full of Beckettian gallows humour'
ANNE CUNNINGHAM,
MEATH CHRONICLE
'genuinely impressive ... heartfelt emotion and sincerity are alternated with bathetic absurdity to dizzying but wonderful effect ... experimental, bold, and polyphonic ... a thought-provoking and powerful achievement.'
Eva Wall,
Curiouser Books
'Besserie generates a pleasing mixture of black humour and occasional lyrical intensity. Credit here must also go to Clíona Ní Ríordáin, for her adroit translation ... [a] provocative, intriguing, rewarding and audacious act of imagination'
Eoghan Smith, Books Ireland
FINANCIAL TIMES BOOK OF THE YEAR
‘Remarkable’ SUNDAY INDEPENDENT
‘Seriously impressive … the action bounces between Paris and Ireland and is remarkably evocative … this exquisite, moving, and ambitious book would be a great present for any fiction reader in your life.’ SARAH HARTE, IRISH EXAMINER
A captivating and emotionally charged narrative.
MIDIA MOHAMMADI, IRISH INDEPENDENT
