Description

Book Synopsis
This title provides a collection of the composer Steve Reich's writings on music, from his classic essay from 1968 on "Music as a Gradual Process," which was the founding call for the development of minimalism, to his work on non-western musics such as the Balinese and African music that contributed to "Drumming" and other compositions.

Trade Review
"Writings on Music 1965-2000, a new collection of Reich's writings...substantially enlarges upon, and in most senses supersedes, its slim predecessor. ... These works are, at one and the same time, radical and sensible, revolutionary and respectful of tradition, and offer extensions of techniques found in diverse forms of music-making around the world...This book seems to me not an ending but a beginning: it marks a point where new work, both creative and scholarly, can start...Steve Reich has consolidated his reputation as an internationally renowned artist of enormous distinction: this new book is a testament to his integrity and staying power, charting as it does a musical evolution, still in progress, that has permanently altered the course of new music in the West in the last third of the twentieth century."--Music and Letters

Writings on Music 19652000 19652000

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A Paperback by Steve Reich, Paul Hillier

15 in stock


    View other formats and editions of Writings on Music 19652000 19652000 by Steve Reich

    Publisher: Oxford University Press
    Publication Date: 11/11/2004 12:00:00 AM
    ISBN13: 9780195151152, 978-0195151152
    ISBN10: 0195151151

    Description

    Book Synopsis
    This title provides a collection of the composer Steve Reich's writings on music, from his classic essay from 1968 on "Music as a Gradual Process," which was the founding call for the development of minimalism, to his work on non-western musics such as the Balinese and African music that contributed to "Drumming" and other compositions.

    Trade Review
    "Writings on Music 1965-2000, a new collection of Reich's writings...substantially enlarges upon, and in most senses supersedes, its slim predecessor. ... These works are, at one and the same time, radical and sensible, revolutionary and respectful of tradition, and offer extensions of techniques found in diverse forms of music-making around the world...This book seems to me not an ending but a beginning: it marks a point where new work, both creative and scholarly, can start...Steve Reich has consolidated his reputation as an internationally renowned artist of enormous distinction: this new book is a testament to his integrity and staying power, charting as it does a musical evolution, still in progress, that has permanently altered the course of new music in the West in the last third of the twentieth century."--Music and Letters

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