Description

Book Synopsis
Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.

Trade Review
“It would be difficult to overestimate the value of this landmark work for the study of writings by, for, and about women in late imperial China in particular, and for the period's cultural history in general. All the papers are pathbreaking, and the discussions of such important topics as the woman writer, race and ethnicity, class, courtesans, gentrywomen, the feminine voice, and subjectivity will stimulate further exploration.”—Shuen-fu Lin, University of Michigan

Table of Contents
Contributors; Introduction Ellen Widmer; Part I. Writing the Courtesan: 1. Ambiguous images of courtesan culture in late imperial China Paul S. Ropp; 2. The late Ming courtesan: invention of a cultural ideal Wai-yee Li; 3. T he written word and the bound foot: a history of the courtesan's aura Dorothy Ko; 4. Desire and writing in the late Ming play Parrot Island Katherine Carlitz; 5. Women in Feng Menglong's Mountain Songs Yasushi Oki; Part II: Norms and Selves; 6. Ming and Qing anthologies of women's poetry and their selection strategies Kang-i Sun Chang; 7. Changing the subject: gender and self-inscription in authors' preafaces and Shi poetry Maureen Robertson; Part III. Poems in Context: 8. Writing her way out of trouble: Li Yuying in history and fiction Ann Waltner; 9. Embodying the disembodied: prepresentaions of ghosts and the feminine Judith T. Zeitlin; 10. De/constructing a feminine ideal in the eighteenth century: random records of West-Green and the story of Shuangqing Grace S. Fong; Part IV. 'Hong lou meng': 11. Womens writing before and within the Hong lou meng Huan Saussy; 12. Beyong stereotypes: the twelve beauties in Qing court art and the Dream of the Red Chamber Wu Hung; 13. Ming Loyalism and the women's voice in fiction after Hong lou meng Ellen Widmer; Postface: Chinese women in a comparative perspective: a response Nancy Armstrong; Reference matter; Notes; Works cited; Character list; Index.

Writing Women in Late Imperial China

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    A Paperback / softback by Ellen Widmer, Kang-i Sun Chang

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      View other formats and editions of Writing Women in Late Imperial China by Ellen Widmer

      Publisher: Stanford University Press
      Publication Date: 01/04/1997
      ISBN13: 9780804728720, 978-0804728720
      ISBN10: 0804728720

      Description

      Book Synopsis
      Scholars from the fields of literature, history, and art history apply a range of methodologies to newly discovered works by women writers and to other sources concerning women writers in China from 1600 to 1900.

      Trade Review
      “It would be difficult to overestimate the value of this landmark work for the study of writings by, for, and about women in late imperial China in particular, and for the period's cultural history in general. All the papers are pathbreaking, and the discussions of such important topics as the woman writer, race and ethnicity, class, courtesans, gentrywomen, the feminine voice, and subjectivity will stimulate further exploration.”—Shuen-fu Lin, University of Michigan

      Table of Contents
      Contributors; Introduction Ellen Widmer; Part I. Writing the Courtesan: 1. Ambiguous images of courtesan culture in late imperial China Paul S. Ropp; 2. The late Ming courtesan: invention of a cultural ideal Wai-yee Li; 3. T he written word and the bound foot: a history of the courtesan's aura Dorothy Ko; 4. Desire and writing in the late Ming play Parrot Island Katherine Carlitz; 5. Women in Feng Menglong's Mountain Songs Yasushi Oki; Part II: Norms and Selves; 6. Ming and Qing anthologies of women's poetry and their selection strategies Kang-i Sun Chang; 7. Changing the subject: gender and self-inscription in authors' preafaces and Shi poetry Maureen Robertson; Part III. Poems in Context: 8. Writing her way out of trouble: Li Yuying in history and fiction Ann Waltner; 9. Embodying the disembodied: prepresentaions of ghosts and the feminine Judith T. Zeitlin; 10. De/constructing a feminine ideal in the eighteenth century: random records of West-Green and the story of Shuangqing Grace S. Fong; Part IV. 'Hong lou meng': 11. Womens writing before and within the Hong lou meng Huan Saussy; 12. Beyong stereotypes: the twelve beauties in Qing court art and the Dream of the Red Chamber Wu Hung; 13. Ming Loyalism and the women's voice in fiction after Hong lou meng Ellen Widmer; Postface: Chinese women in a comparative perspective: a response Nancy Armstrong; Reference matter; Notes; Works cited; Character list; Index.

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