Description
Book SynopsisThis book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak. In the twentieth century, leftist authors around the world understood their writing as an act of solidarity, but their common project was obscured by the end of the Cold War and the dismantling of socialist states. This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983), one of the most important German writers of her time, as an exemplar. Like other leftist authors in other languages and contexts, Seghers emphasized how people are implicated in global economic inequality and efforts to change it. Writing to Change the World introduces Seghers's concept of solidarian authorship by telling the story of an award, still in existence today, that she bequeathed to support East German and Latin American authors. The book then follows the history of the idea by reading Seghers alongside prominent contemporaries: the German playwright and poet Bertolt Brecht in the 1930s, the Cuban novelist Alejo Carpentier in the 1960s, and the Indian scholar and theorist Gayatri Chakravorty Spivak in the 1980s. These writers thematized and critiqued solidarity, often by depicting characters who forge connections across borders. In doing so, they also commented on the literary institutions that fostered their own work. Providing new evidence for Seghers's global relevance beyond German literature, Writingto Change the World argues for the continued significance of solidarity both as a model of global authorship and as a framework for analysis of world literature. In doing so, it refocuses attention on global structures of inequality and collective imaginings of a better world. Marike Janzen is Assistant Professor of Humanities and Courtesy Assistant Professor of Germanic Languages and Literatures at the University of Kansas.
Trade ReviewIn the story of Anna Seghers we recognize not only an example of a dynamic life in thrilling times, but that of a thrilling life in dynamic times. Janzen's study is an outstanding contribution to literary history, world history, economic policy, and gender research. -- Dean J. Guarnaschelli * GERMAN STUDIES REVIEW *
These comparative chapters offer astute insights, bolstered by helpful endnotes and bibliography. Broadening the view of both Seghers and the authors with whom she is compared, this book suggests further avenues for research and will appeal to a wide audience. Recommended. * CHOICE *
Janzen takes Seghers's statement "for we write not to describe, but in describing to effect change" as her starting point in illuminating the project of left-wing authors, male and female, "to build solidarity and thus transform the world," something that "continues to hold relevance [in the post-communist world] and needs to be recovered." . . . Janzen first historicizes the Seghers Prize and then examines Seghers's works innovatively in a contrapuntal way to those of Brecht, Carpentier, and Spivak. -- Loreto Vilar * GERMANISTIK *
Table of ContentsIntroduction: Authorship and World as Shared Time Solidarian Authorship after Socialism: From the Anna Seghers Stipendium to the Anna Seghers Preis Shared Time in the Comintern Era: Seghers and Brecht State Writers and Solidarity: Seghers and Carpentier Mute Messengers: Solidarity and the Subaltern in Seghers and Spivak Conclusion: Authorship as History and Norm Notes Bibliography Index
