Description

Book Synopsis
Examining the development of literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized, this book focuses on four authors typing this trend: Kunikida Doppo, Shimazaki Toson, Sato Haruo, and Shiga Naoya.

Trade Review
In a welcome addition to the growing number of theme-based studies of modern Japanese literature, Stephen Dodd takes up the topic of literary representation of the furusato, what he calls the native place, in fiction published between the mid-Meiji and early Showa period. The theme is a particularly fascinating one since none of the four major authors discussed—Kunikida Doppo, Shimazaki Toson, Sato Haruo, and Shiga Naoya—presents the native place as merely an idyllic site to which the weary urban writer turns for replenishment. Indeed, the beauty of Dodd’s study lies in its emphasis on the dynamic relationship that exists between these authors’ urban experiences and their creative remembering of the past. In each case, it is the city that mediates, to varying degrees, the authors’ representation of home. -- Davinder Bhowmik * Journal of Japanese Studies *

Writing Home

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    A Hardback by Stephen Dodd

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      Publisher: Harvard University, Asia Center
      Publication Date: Publication Date: 01/01/2005
      ISBN13: 9780674016521, 978-0674016521
      ISBN10: 0674016521

      Description

      Book Synopsis
      Examining the development of literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized, this book focuses on four authors typing this trend: Kunikida Doppo, Shimazaki Toson, Sato Haruo, and Shiga Naoya.

      Trade Review
      In a welcome addition to the growing number of theme-based studies of modern Japanese literature, Stephen Dodd takes up the topic of literary representation of the furusato, what he calls the native place, in fiction published between the mid-Meiji and early Showa period. The theme is a particularly fascinating one since none of the four major authors discussed—Kunikida Doppo, Shimazaki Toson, Sato Haruo, and Shiga Naoya—presents the native place as merely an idyllic site to which the weary urban writer turns for replenishment. Indeed, the beauty of Dodd’s study lies in its emphasis on the dynamic relationship that exists between these authors’ urban experiences and their creative remembering of the past. In each case, it is the city that mediates, to varying degrees, the authors’ representation of home. -- Davinder Bhowmik * Journal of Japanese Studies *

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