Description

Book Synopsis
Essential and engaging essays about the joys and challenges of creative writing and teaching creative writing by a host of Canada's leading writers.

Writing Creative Writing is filled with thoughtful and entertaining essays on the joys and challenges of creative writing, the complexities of the creative writing classroom, the place of writing programs in the twenty-first century, and exciting strategies and exercises for writing and teaching different genres. Written by a host of Canada's leading writers, including Christian Bök, Catherine Bush, Suzette Mayr, Yvette Nolan, Judith Thompson, and thom vernon, this book is the first of its kind and destined to be a milestone for every creative writing student, teacher, aspirant, and professional.

Trade Review
Writing Creative Writing is the first Canadian anthology to bring together such a wide-ranging collection of voices on teaching creative writing. This is a book for everyone interested in how we learn to write — students, writers, administrators and creative writing instructors will all find sparkling insights here into the diverse strategies writers use to help each other get better at the craft. * Sonnet L'Abbé *
What a marvelous compendium of ideas, approaches and practices to help guide and reassure us as writers. This book is a must for Canadian writers, aspiring and established. * Joseph Kertes *
This vital compendium of contemporary writings on pedagogy in the creative writing classroom is essentially a heavy tool belt that will equip anyone for teaching in any genre and at every stage of their career * Natalee Caple *

Table of Contents
Introduction
Rishma Dunlop, Daniel Scott Tysdal, and Priscila Uppal: Writing Creative Writing: A Student, A Teacher, and a Genre Walk Into a Classroom and into Endless Possibilities

PART I: Writing Creative Writing Pedagogy
A: By Genre(s)
Wanda Campbell: Raid, Warp, Push: The Pedagogy of Poetic Form
Daniel Scott Tysdal: Beginning at the Edge: Teaching Poetry Through Comic Book Panels and Internet Comment Threads
Mary Schendlinger: The Comics Connection
Peggy Thompson:It’s All About Structure: The Craft of Screenwriting
Nicole Markotic and Suzette Mayr: He Put His What, WHERE? Or: how to teach creative writing students to write plausible sex scenes, prevent them from winning the Bad Sex Award, while not suffering from fear, alarm, dread, or embarrassment in the process

B: By Approach
Rishma Dunlop: Creative Writing as Hybrid Pedagogy
Louis Cabri: “I’m Stone in Love With You”: Stylistics in the Creative Writing Classroom
Jennifer Duncan: Textual Culture: A Postmodern Approach to Creative Writing Pedagogy
Priscila Uppal: The Joys of Adaptation: Pedagogy and Practice

C: By Classroom
Gülyase Koçak: From Memorization to Improvisation: The Challenges of Teaching Creative Writing to Students Coming from a Culture of Rote Learning
Kathryn Kuitenbrouwer: How to Teach (Online)
Kathy Mac: Small Group Workshops in Large Creative Writing Classes: Because You Can’t Be Everywhere at Once

PART II: Re-Writing the Creative Writing Tradition
David Goldstein: Poetic Form as Experimental Procedure: The View from Renaissance England
Andrea Thompson: Spoken Word: A Gesture Toward Possibility
Christian Bök: Two Dots Over a Vowel
Yvette Nolan: Bastards, Pirates, and Halfbreeds: Playwriting in Canada

PART III: Writing the Creative Writing Professor
Aritha van Herk: Teaching, or Not Teaching Creative Writing
Judith Thompson: Inciting a Riot: Digging Down into a Play
Lorri Neilsen Glenn: Writes of Passage: Women Writing
Stephanie Bolster: One of These Things is Not Like the Others: The Writer in the English Department

PART IV: Writing Creative Writing Programs
Darryl Whetter: Can’tLit: What Canadian English Departments Could (but Won’t) Learn from the Creative Writing Programs They Host
Lori A. May: The Low-Residency MFA: Coast to Coast and Across the Border
Catherine Bush: Engaged Practice: Coordinating and Creating a Community within a Creative Writing MFA Program
thom vernon: Selling It: Creative Writing and the Public Good

Acknowledgements
Contributor Bios
Editor Bios

Writing Creative Writing

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    A Paperback by Daniel Scott Tysdal, Priscila Uppal

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      Publisher: Dundurn Group Ltd
      Publication Date: 1/12/2018 12:07:00 AM
      ISBN13: 9781459741690, 978-1459741690
      ISBN10: 1459741692

      Description

      Book Synopsis
      Essential and engaging essays about the joys and challenges of creative writing and teaching creative writing by a host of Canada's leading writers.

      Writing Creative Writing is filled with thoughtful and entertaining essays on the joys and challenges of creative writing, the complexities of the creative writing classroom, the place of writing programs in the twenty-first century, and exciting strategies and exercises for writing and teaching different genres. Written by a host of Canada's leading writers, including Christian Bök, Catherine Bush, Suzette Mayr, Yvette Nolan, Judith Thompson, and thom vernon, this book is the first of its kind and destined to be a milestone for every creative writing student, teacher, aspirant, and professional.

      Trade Review
      Writing Creative Writing is the first Canadian anthology to bring together such a wide-ranging collection of voices on teaching creative writing. This is a book for everyone interested in how we learn to write — students, writers, administrators and creative writing instructors will all find sparkling insights here into the diverse strategies writers use to help each other get better at the craft. * Sonnet L'Abbé *
      What a marvelous compendium of ideas, approaches and practices to help guide and reassure us as writers. This book is a must for Canadian writers, aspiring and established. * Joseph Kertes *
      This vital compendium of contemporary writings on pedagogy in the creative writing classroom is essentially a heavy tool belt that will equip anyone for teaching in any genre and at every stage of their career * Natalee Caple *

      Table of Contents
      Introduction
      Rishma Dunlop, Daniel Scott Tysdal, and Priscila Uppal: Writing Creative Writing: A Student, A Teacher, and a Genre Walk Into a Classroom and into Endless Possibilities

      PART I: Writing Creative Writing Pedagogy
      A: By Genre(s)
      Wanda Campbell: Raid, Warp, Push: The Pedagogy of Poetic Form
      Daniel Scott Tysdal: Beginning at the Edge: Teaching Poetry Through Comic Book Panels and Internet Comment Threads
      Mary Schendlinger: The Comics Connection
      Peggy Thompson:It’s All About Structure: The Craft of Screenwriting
      Nicole Markotic and Suzette Mayr: He Put His What, WHERE? Or: how to teach creative writing students to write plausible sex scenes, prevent them from winning the Bad Sex Award, while not suffering from fear, alarm, dread, or embarrassment in the process

      B: By Approach
      Rishma Dunlop: Creative Writing as Hybrid Pedagogy
      Louis Cabri: “I’m Stone in Love With You”: Stylistics in the Creative Writing Classroom
      Jennifer Duncan: Textual Culture: A Postmodern Approach to Creative Writing Pedagogy
      Priscila Uppal: The Joys of Adaptation: Pedagogy and Practice

      C: By Classroom
      Gülyase Koçak: From Memorization to Improvisation: The Challenges of Teaching Creative Writing to Students Coming from a Culture of Rote Learning
      Kathryn Kuitenbrouwer: How to Teach (Online)
      Kathy Mac: Small Group Workshops in Large Creative Writing Classes: Because You Can’t Be Everywhere at Once

      PART II: Re-Writing the Creative Writing Tradition
      David Goldstein: Poetic Form as Experimental Procedure: The View from Renaissance England
      Andrea Thompson: Spoken Word: A Gesture Toward Possibility
      Christian Bök: Two Dots Over a Vowel
      Yvette Nolan: Bastards, Pirates, and Halfbreeds: Playwriting in Canada

      PART III: Writing the Creative Writing Professor
      Aritha van Herk: Teaching, or Not Teaching Creative Writing
      Judith Thompson: Inciting a Riot: Digging Down into a Play
      Lorri Neilsen Glenn: Writes of Passage: Women Writing
      Stephanie Bolster: One of These Things is Not Like the Others: The Writer in the English Department

      PART IV: Writing Creative Writing Programs
      Darryl Whetter: Can’tLit: What Canadian English Departments Could (but Won’t) Learn from the Creative Writing Programs They Host
      Lori A. May: The Low-Residency MFA: Coast to Coast and Across the Border
      Catherine Bush: Engaged Practice: Coordinating and Creating a Community within a Creative Writing MFA Program
      thom vernon: Selling It: Creative Writing and the Public Good

      Acknowledgements
      Contributor Bios
      Editor Bios

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