Description

Book Synopsis
In order to create a living character on the stage, the actor needs more than masterful technique. He must work on the play in a way that will enable him to understand the meaning of each of the roles in it, and the nature of the relations between these roles. Stanislavsky developed his method of working on the play and the role over many years, but because it was constantly being modified and improved, only fragments of the method were ever recorded. Now Irina and Igor Levin have systematized the method, clearly setting forth its principles and demonstrating precisely how they are put to use. Using the complete text of Chekhov''s The Cherry Orchard and breaking it into individual events; they take the reader through each situation in the play, exploring the motivations and feelings of the characters. The reader emerges with a fine understanding of the play and its roles, and with a method that can be used successfully to analyze any drama. An excellent book, highly useful for actors a

Trade Review
An excellent book, highly useful for actors and directors both in its principles and in its detailed analyses of text and subtext. -- Nicholas Rudall * Court Theatre *

Working on the Play and the Role

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    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Paperback by Irina Levin, Igor Levin

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      View other formats and editions of Working on the Play and the Role by Irina Levin

      Publisher: Ivan R. Dee
      Publication Date: 6/1/1992 12:00:00 AM
      ISBN13: 9780929587936, 978-0929587936
      ISBN10: 0929587936

      Description

      Book Synopsis
      In order to create a living character on the stage, the actor needs more than masterful technique. He must work on the play in a way that will enable him to understand the meaning of each of the roles in it, and the nature of the relations between these roles. Stanislavsky developed his method of working on the play and the role over many years, but because it was constantly being modified and improved, only fragments of the method were ever recorded. Now Irina and Igor Levin have systematized the method, clearly setting forth its principles and demonstrating precisely how they are put to use. Using the complete text of Chekhov''s The Cherry Orchard and breaking it into individual events; they take the reader through each situation in the play, exploring the motivations and feelings of the characters. The reader emerges with a fine understanding of the play and its roles, and with a method that can be used successfully to analyze any drama. An excellent book, highly useful for actors a

      Trade Review
      An excellent book, highly useful for actors and directors both in its principles and in its detailed analyses of text and subtext. -- Nicholas Rudall * Court Theatre *

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