Description

Book Synopsis
From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. This book is the first full evaluation of these developments and opens up new perspectives on literature, culture, class and identity over the past 50 years. Its origins are traced in the context of international shifts in class politics, civil rights, personal expression and cultural change. The writing of young people, older people, adult literacy groups as well as writing workshops is analysed. Thematic chapters explore how audiences consumed this work, the learning of writers, the fierce debates over identity, class and organisation, as well as changing relations with mainstream institutions. The book is accessibly written but engages with a wide range of scholarly work in history, education, cultural studies, literature and sociology. It will be of interest to lecturers and students in these areas as well as the general reader.

Trade Review

'Tom Woodin should be heartily congratulated for his exemplary study of British working-class writing and publishing by ‘the fed’ (Federation of Worker Writers and Community Publishers) from the mid-1970s to the early 2000s. Woodin provides his readers with a critical yet sympathetic history of ‘the fed’ and the working class poets and writers whose work it published. By doing so he has made an enormous contribution to the study of working-class literature, and indeed working-class studies, in the UK, US, or elsewhere around the globe.'
Gary Jones, American International College

'A compelling read.'
British Journal of Educational Studies

-- .

Table of Contents

Introduction
1 Sources of radicalism
2 Young people’s writing
3 The good old days?
4 A beginner reader is not a beginner thinker
5 The workshop and working-class writing
6 Making writers: more writing than welding
7 Alternative publishing and audience participation
8 Chuck out the teacher: critical pedagogy in the community
9 Class and identity
10 The mainstream and the movement
Conclusion
Notes
Bibliography
Index

Working-Class Writing and Publishing in the Late

    Product form

    £21.00

    Includes FREE delivery

    Order before 4pm today for delivery by Fri 26 Jun 2026.

    A Paperback / softback by Tom Woodin

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Working-Class Writing and Publishing in the Late by Tom Woodin

      Publisher: Manchester University Press
      Publication Date: 05/06/2020
      ISBN13: 9781526149213, 978-1526149213
      ISBN10: 1526149214

      Description

      Book Synopsis
      From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. This book is the first full evaluation of these developments and opens up new perspectives on literature, culture, class and identity over the past 50 years. Its origins are traced in the context of international shifts in class politics, civil rights, personal expression and cultural change. The writing of young people, older people, adult literacy groups as well as writing workshops is analysed. Thematic chapters explore how audiences consumed this work, the learning of writers, the fierce debates over identity, class and organisation, as well as changing relations with mainstream institutions. The book is accessibly written but engages with a wide range of scholarly work in history, education, cultural studies, literature and sociology. It will be of interest to lecturers and students in these areas as well as the general reader.

      Trade Review

      'Tom Woodin should be heartily congratulated for his exemplary study of British working-class writing and publishing by ‘the fed’ (Federation of Worker Writers and Community Publishers) from the mid-1970s to the early 2000s. Woodin provides his readers with a critical yet sympathetic history of ‘the fed’ and the working class poets and writers whose work it published. By doing so he has made an enormous contribution to the study of working-class literature, and indeed working-class studies, in the UK, US, or elsewhere around the globe.'
      Gary Jones, American International College

      'A compelling read.'
      British Journal of Educational Studies

      -- .

      Table of Contents

      Introduction
      1 Sources of radicalism
      2 Young people’s writing
      3 The good old days?
      4 A beginner reader is not a beginner thinker
      5 The workshop and working-class writing
      6 Making writers: more writing than welding
      7 Alternative publishing and audience participation
      8 Chuck out the teacher: critical pedagogy in the community
      9 Class and identity
      10 The mainstream and the movement
      Conclusion
      Notes
      Bibliography
      Index

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account