Description

From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions. Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating basenotes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.

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Paperback / softback by Ian Williams

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From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read Frustrated... Read more

    Publisher: Coach House Books
    Publication Date: 26/11/2020
    ISBN13: 9781552454145, 978-1552454145
    ISBN10: 1552454142

    Number of Pages: 112

    Fiction , Poetry

    Description

    From Ian Williams, author of Reproduction, winner of the Giller Prize and a June 2020 Indie Next Great Read Frustrated by how tough the issues of our time are to solve – racial inequality, our pernicious depression, the troubled relationships we have with other people – Ian Williams revisits the seemingly simple questions of grade school for inspiration: if Billy has five nickels and Jane has three dimes, how many Black men will be murdered by police? He finds no satisfaction, realizing that maybe there are no easy answers to ineffable questions. Williams uses his characteristic inventiveness to find not just new answers but new questions, reconsidering what poetry can be, using math and grammar lessons to shape poems that invite us to participate. Two long poems cut through the text like vibrating basenotes, curiosities circle endlessly, and microaggressions spin into lyric. And all done with a light touch and a joyful sense of humour.

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