Description

Book Synopsis
Part travelogue and part dialogue, this is the first book on the market to exclusively focus on women as subjects in street art!

Interviews with artists peel back the layers between artist and image, revealing stories about their work, its context, and its environment. The women are depicted artistically, politically, and culturally across continents.The artists featured are from the United States, Mexico, Costa Rica, Peru, Chile, France, Italy, and South Africa.

From artists in LA pushing back on Hollywood's shiny perfection; to painters in Costa Rica examining the cultural links of women, myth, and nature; to women in South Africa decrying domestic violence, what links these works are their temporality and public ownership.

  • Why do wall artists choose women as their frequent and favorite subjects?
  • What does it say about our conceptions of gender and rebellion, protest, pride, place, and community?
  • And how does

Women on the Walls

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    £25.59

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    RRP £31.99 – you save £6.40 (20%)

    Order before 4pm today for delivery by Thu 6 Aug 2026.

    A Hardback by Robert H. Mann, Katja Fleischmann

    5 in stock

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      Publisher: Schiffer Publishing Ltd
      Publication Date: Publication Date: 30/08/2022
      ISBN13: 9780764364037, 978-0764364037
      ISBN10: 764364030

      Description

      Book Synopsis
      Part travelogue and part dialogue, this is the first book on the market to exclusively focus on women as subjects in street art!

      Interviews with artists peel back the layers between artist and image, revealing stories about their work, its context, and its environment. The women are depicted artistically, politically, and culturally across continents.The artists featured are from the United States, Mexico, Costa Rica, Peru, Chile, France, Italy, and South Africa.

      From artists in LA pushing back on Hollywood's shiny perfection; to painters in Costa Rica examining the cultural links of women, myth, and nature; to women in South Africa decrying domestic violence, what links these works are their temporality and public ownership.

      • Why do wall artists choose women as their frequent and favorite subjects?
      • What does it say about our conceptions of gender and rebellion, protest, pride, place, and community?
      • And how does

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