Description

Book Synopsis

Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout historyâincluding that of composers, performers, conductors, technicians, and music industry personnelâis presented using both art music and popular music examples.

New to this edition:

    • An expansion from 57 to 112 listening examples conveniently available on Spotify.
    • Additional focus on intersectionality in art and popular music.
    • A

      Trade Review

      "Julie Dunbar’s Women, Music, Culture is not only an outstanding introduction related to "women in music," but also an excellent collection and presentation of many examples concerning a wide range of historical subjects, as well as contemporary musical genres and fields. The book is supplemented by questions for critical thinking and discussion, as well as ideas for further research; therefore, this publication provides basic and ideal working materials in undergraduate courses."

      Christa Brüstle, Heidelberg University, Germany

      "Women, Music, Culture is an excellent introductory undergraduate text that frames womens’ contributions to music in a global context, seriously examining a vast array of art and popular music within and outside of western culture."

      Allison Adrian, St. Catherine University, USA



      Table of Contents

      Part I Telling Musical Stories: Missing Voices in the Documentation of Musical Traditions

      Chapter 1 Reflections on "Deep Listening": Exploring Music in Context

      Focus on Feminism Defining Feminism: Nineteenth Century Roots and Women’s Suffrage

      Chapter 2 Medieval Liturgical Roots and the Documentation of the Western Canon

      Chapter 3 Women in "World" Music: An Expanded View of Global Narratives

      Part II Restricted Domains: Gender Spheres in Art Music

      Chapter 4 Court Performers of Japan, India, and Europe: Freedom and Restriction

      Chapter 5 The Baroque: Social Class and the Path to Publication

      Chapter 6 Eighteenth Century Classicism: Revisiting Vienna

      Chapter 7 Romantic-Era Performer/Composers: Walking the Public/Private Line

      Focus on Feminism From First Wave to Second Wave

      Part III Visual Images in an Aural World

      Chapter 8 American Popular Music: 1895-1945

      Chapter 9 Empowered Voices in the Public Eye: Women of Gospel and Blues

      Chapter 10 Visual Media and the Marketing of Performers

      Focus on Feminism Third-Wave Feminist Diversity

      Part IV A Time of Change: The Impact of Education on Women’s Art Music Activity

      Chapter 11 Changing Gender Roles: From Nineteenth Century Opera to the Modern Musical

      Focus on Feminism Voice of Authority

      Chapter 12 Segregation and Integration: Instrumental Ensembles from 1900 to the Present

      Focus on Feminism Music and #MeToo

      Chapter 13 Large-Scale Works and Experimental Voices

      Part V No Longer "One of the Boys"

      Chapter 14 Instrumental to Jazz: The Forgotten Role of Women

      Chapter 15 Music Technology in the Hands of Women

      Chapter 16 Popular Music as a Feminist Platform: Women in Charge of Production and Management

      Focus on Feminism Do We Still Need Feminism?

Women Music Culture

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    Order before 4pm today for delivery by Wed 1 Jul 2026.

    A Paperback by Julie C. Dunbar

    15 in stock

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      Publisher: Taylor & Francis
      Publication Date: 12/31/2020 12:00:00 AM
      ISBN13: 9780367138127, 978-0367138127
      ISBN10: 0367138123

      Description

      Book Synopsis

      Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout historyâincluding that of composers, performers, conductors, technicians, and music industry personnelâis presented using both art music and popular music examples.

      New to this edition:

        • An expansion from 57 to 112 listening examples conveniently available on Spotify.
        • Additional focus on intersectionality in art and popular music.
        • A

          Trade Review

          "Julie Dunbar’s Women, Music, Culture is not only an outstanding introduction related to "women in music," but also an excellent collection and presentation of many examples concerning a wide range of historical subjects, as well as contemporary musical genres and fields. The book is supplemented by questions for critical thinking and discussion, as well as ideas for further research; therefore, this publication provides basic and ideal working materials in undergraduate courses."

          Christa Brüstle, Heidelberg University, Germany

          "Women, Music, Culture is an excellent introductory undergraduate text that frames womens’ contributions to music in a global context, seriously examining a vast array of art and popular music within and outside of western culture."

          Allison Adrian, St. Catherine University, USA



          Table of Contents

          Part I Telling Musical Stories: Missing Voices in the Documentation of Musical Traditions

          Chapter 1 Reflections on "Deep Listening": Exploring Music in Context

          Focus on Feminism Defining Feminism: Nineteenth Century Roots and Women’s Suffrage

          Chapter 2 Medieval Liturgical Roots and the Documentation of the Western Canon

          Chapter 3 Women in "World" Music: An Expanded View of Global Narratives

          Part II Restricted Domains: Gender Spheres in Art Music

          Chapter 4 Court Performers of Japan, India, and Europe: Freedom and Restriction

          Chapter 5 The Baroque: Social Class and the Path to Publication

          Chapter 6 Eighteenth Century Classicism: Revisiting Vienna

          Chapter 7 Romantic-Era Performer/Composers: Walking the Public/Private Line

          Focus on Feminism From First Wave to Second Wave

          Part III Visual Images in an Aural World

          Chapter 8 American Popular Music: 1895-1945

          Chapter 9 Empowered Voices in the Public Eye: Women of Gospel and Blues

          Chapter 10 Visual Media and the Marketing of Performers

          Focus on Feminism Third-Wave Feminist Diversity

          Part IV A Time of Change: The Impact of Education on Women’s Art Music Activity

          Chapter 11 Changing Gender Roles: From Nineteenth Century Opera to the Modern Musical

          Focus on Feminism Voice of Authority

          Chapter 12 Segregation and Integration: Instrumental Ensembles from 1900 to the Present

          Focus on Feminism Music and #MeToo

          Chapter 13 Large-Scale Works and Experimental Voices

          Part V No Longer "One of the Boys"

          Chapter 14 Instrumental to Jazz: The Forgotten Role of Women

          Chapter 15 Music Technology in the Hands of Women

          Chapter 16 Popular Music as a Feminist Platform: Women in Charge of Production and Management

          Focus on Feminism Do We Still Need Feminism?

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