Description

Book Synopsis

Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe.

It recovers their lives and examines their interests, their methodologies, and their collections and objectssome of which have rarely been studied before. The book also considers women's role as producers, that is, creators of objects that were collected. Detailed examination of the artefactsboth visually, and in relation to their historical contextsexposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields.

It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary st

Trade Review

"The frameworks and methodologies set forth by the authors gathered here will provide models for future feminist scholarship in archival research and in the effective deployment of endeavours in the digital humanities that make use of social network analysis." - Tori Champion, sehepunkte

"This is a valuable, well composed, and beautifully produced book. The fourteen chapters, divided among four parts, are all thoroughly researched and exhaustively documented. Each chapter has both clear, useful notes and a substantial bibliography."
-Larry W. Riggs, New Perspectives on the Eighteenth Century



Table of Contents

Part I Artificialia and Naturalia

  1. Science, Gender and Collecting:The Dutch 18th century Ladies’ Society for Physical Sciences of Middelburg

  2. Anne Harbers and Andrea Gáldy

  3. Between Art and Science: Portraits of Citrus Fruit for Anna Maria Luisa de’ Medici
  4. Irina Schmiedel

  5. Anne Vallayer-Coster’s Still Life with Sea Shells and Coral
  6. Kelsey Brosnan

    Part II Travel, Borders, and Networks

  7. Maria Sibylla Merian: A Woman’s Pioneering Work in Entomology
  8. Katharina Schmidt-Loske

  9. Sarah Sophia Banks’s Coin Collection: Female Networks of Exchange
  10. Erica Hayes and Kacie L. Wills

  11. Conversing with Collecting the World: Elite Female Sociability and Learning through Objects in the Age of Enlightenment
  12. Lizzie Rogers

  13. Portrait of Charlotte de France: from Naples to Sicily, a Collection in Transit
  14. Maria Antonietta Spadero

    8. The Collecting Activity of Catherine II in 18th Century Russia: Pioneering Action or Sheer Demonstration of Power?

    Charis Ch. Avlonitou

    Part III Displaying, Recording, and Cataloguing

  15. ‘I made memorandums’: Mary Hamilton, Sociability, and Antiquarianism in the Eighteenth-Century Collection
  16. Madeleine Pelling

  17. Eleanor Coade, John Soane, and the Coade Caryatid
  18. Nicole Cochrane

  19. Anne Wagner’s Album (1795-1805): Collecting Feminine Friendship
  20. Ryna Ordynat

  21. An Art Cabinet in Miniature: The Dollhouse of Petronella Oortman
  22. Hanneke Grootenboer

    Part IV Beyond the Eighteenth Century

  23. Collection, Display, and Conservation: The Print Room at Castletown House
  24. Anna Frances O’Regan

  25. Olivia Lanza di Mazzarino (1893-1970): A Lady’s collection of Eighteenth-Century Folding Fans

Arlene Leis

Women and the Art and Science of Collecting in

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    £39.99

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    Order before 4pm today for delivery by Sat 4 Jul 2026.

    A Paperback by Arlene Leis, Kacie L. Wills

    15 in stock

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      Publisher: Taylor & Francis Ltd
      Publication Date: 5/6/2022 12:00:00 AM
      ISBN13: 9780367545390, 978-0367545390
      ISBN10: 036754539X

      Description

      Book Synopsis

      Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe.

      It recovers their lives and examines their interests, their methodologies, and their collections and objectssome of which have rarely been studied before. The book also considers women's role as producers, that is, creators of objects that were collected. Detailed examination of the artefactsboth visually, and in relation to their historical contextsexposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields.

      It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary st

      Trade Review

      "The frameworks and methodologies set forth by the authors gathered here will provide models for future feminist scholarship in archival research and in the effective deployment of endeavours in the digital humanities that make use of social network analysis." - Tori Champion, sehepunkte

      "This is a valuable, well composed, and beautifully produced book. The fourteen chapters, divided among four parts, are all thoroughly researched and exhaustively documented. Each chapter has both clear, useful notes and a substantial bibliography."
      -Larry W. Riggs, New Perspectives on the Eighteenth Century



      Table of Contents

      Part I Artificialia and Naturalia

      1. Science, Gender and Collecting:The Dutch 18th century Ladies’ Society for Physical Sciences of Middelburg

      2. Anne Harbers and Andrea Gáldy

      3. Between Art and Science: Portraits of Citrus Fruit for Anna Maria Luisa de’ Medici
      4. Irina Schmiedel

      5. Anne Vallayer-Coster’s Still Life with Sea Shells and Coral
      6. Kelsey Brosnan

        Part II Travel, Borders, and Networks

      7. Maria Sibylla Merian: A Woman’s Pioneering Work in Entomology
      8. Katharina Schmidt-Loske

      9. Sarah Sophia Banks’s Coin Collection: Female Networks of Exchange
      10. Erica Hayes and Kacie L. Wills

      11. Conversing with Collecting the World: Elite Female Sociability and Learning through Objects in the Age of Enlightenment
      12. Lizzie Rogers

      13. Portrait of Charlotte de France: from Naples to Sicily, a Collection in Transit
      14. Maria Antonietta Spadero

        8. The Collecting Activity of Catherine II in 18th Century Russia: Pioneering Action or Sheer Demonstration of Power?

        Charis Ch. Avlonitou

        Part III Displaying, Recording, and Cataloguing

      15. ‘I made memorandums’: Mary Hamilton, Sociability, and Antiquarianism in the Eighteenth-Century Collection
      16. Madeleine Pelling

      17. Eleanor Coade, John Soane, and the Coade Caryatid
      18. Nicole Cochrane

      19. Anne Wagner’s Album (1795-1805): Collecting Feminine Friendship
      20. Ryna Ordynat

      21. An Art Cabinet in Miniature: The Dollhouse of Petronella Oortman
      22. Hanneke Grootenboer

        Part IV Beyond the Eighteenth Century

      23. Collection, Display, and Conservation: The Print Room at Castletown House
      24. Anna Frances O’Regan

      25. Olivia Lanza di Mazzarino (1893-1970): A Lady’s collection of Eighteenth-Century Folding Fans

      Arlene Leis

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