Description

Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


Women and Music in the Age of Austen

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Paperback / softback by Linda Zionkowski , Miriam F. Hart

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Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and... Read more

    Publisher: Bucknell University Press,U.S.
    Publication Date: 15/12/2023
    ISBN13: 9781684485154, 978-1684485154
    ISBN10: 1684485150

    Number of Pages: 272

    Non Fiction , Entertainment

    Description

    Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices.

    Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


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