Description

Book Synopsis

Embodying Wittgenstein’s own aphorism of “you’d be surprised,” this collection of original essays by both artists and academics explores the significance of Wittgenstein’s writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT.

Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgenstein’s inspiration in and for the different practices that are explored in each essay. Between Wittgenstein’s proposals in the Tractatus that “the world is all that is the case” and in the Philosophical Investigations that “words are also deeds,” how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy?



Trade Review

There are few people with the nerve to reacquaint Wittgenstein and performance, but Mischa Twitchin is one. Having recognised the curious elision of the Analytic tradition from almost all interdisciplinary pairings of thought and theatre, this critically incisive and often playful collection sets about recovering the potential for a practiced poetics of philosophical rigour.

-- Alan Read, professor of theatre and director of Performance Foundation, King’s College London

This inventive collection shows that Wittgenstein’s impact on the arts, from poetry to performance, continues to evolve in new directions. By mixing artists and scholars, the volume allows readers to explore surprising lines of influence and to make their own connections across different forms of writing and thinking. An intellectual treat.

-- Martin Puchner, Harvard University

Taken together, the essays here profoundly honor the very special feature of Wittgenstein’s mode of thinking, which is so playful and creative that it was bound to inspire the crossings between thinking and performing to which this book testifies. A much-needed book, in Wittgenstein’s spirit.

-- Mieke Bal, co-founder of the Amsterdam School of Cultural Analysis (ASCA)

Table of Contents

Introduction, Mischa Twitchin

Chapter 1. Familiarity in Gesture: An Encounter Between Dance and Wittgenstein's Thought, Né Barros

Chapter 2. Pataquerulous Wittgenstein and the Animaladies of Language, Charles Bernstein

Chapter 3. The Possibility of Fact: Sketching an Origin for the Performative, Simon Bowes

Verbal Fog (poem), Miles Champion

Chapter 4. The More One Looks…, Will Daddario and Alice Lagaay

Chapter 5. The Stage of Thoughts: Ludwig Wittgenstein and Josef Nadj, Veronika Darida

Chapter 6. Encountering Wittgenstein, Françoise Davoine

Chapter 7. I’ll Teach You Differences: Wittgenstein Against Philosophical Pseudo-Performance, Peter Dillard

Chapter 8.Conversation between Signe Gjessing, Ray Monk, and Max Richter

Chapter 9. Always One Sentence on Every Page Allowed my Mind to Flower, KennethGoldsmith

Chapter 10. The Fibres, the Fly Bottle, and the Rough Ground: Wittgenstein’s Figuration of Politics, Derek Gottlieb

Chapter 11. Ethics is Aesthetics, Anthony Howell

Chapter 12. Let the Use of the Words Teach You Their Meaning: A Dialogue between Sue MacLaine and Jonathan Burrows

Chapter 13. Reading Jean Bazin with Wittgenstein: Playing Chess or Making Custard?, Bernard Müller

Chapter 14. The Odd Couple: Duchamp and Wittgenstein, Marjorie Perloff

In Memoriam (poem), Tom Raworth

Chapter 15. On Performing Wittgenstein, Bo Tarenskeen

Chapter 16. Wittgenstein’s Use of the Tableau Vivant: Proposition and Group Performance, The Aesthetics Group (Jeanette Doyle, Cathy O’Carroll, Mick O’Hara, and Connell Vaughan)

Chapter 17. Philosophical Problems and Stochastic Parrots: Between Aphorism and Algorithm, Mischa Twitchin

Chapter 18. Wittgenstein Incorporated: A Conversation between Peter and Lukas Verburgt

Index

About the Contributors

Wittgenstein and Performance

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    Order before 4pm today for delivery by Thu 18 Jun 2026.

    A Hardback by Mischa Twitchin

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      View other formats and editions of Wittgenstein and Performance by Mischa Twitchin

      Publisher: Rowman & Littlefield
      Publication Date: 05/01/2024
      ISBN13: 9781538175095, 978-1538175095
      ISBN10: 1538175096

      Description

      Book Synopsis

      Embodying Wittgenstein’s own aphorism of “you’d be surprised,” this collection of original essays by both artists and academics explores the significance of Wittgenstein’s writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT.

      Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgenstein’s inspiration in and for the different practices that are explored in each essay. Between Wittgenstein’s proposals in the Tractatus that “the world is all that is the case” and in the Philosophical Investigations that “words are also deeds,” how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy?



      Trade Review

      There are few people with the nerve to reacquaint Wittgenstein and performance, but Mischa Twitchin is one. Having recognised the curious elision of the Analytic tradition from almost all interdisciplinary pairings of thought and theatre, this critically incisive and often playful collection sets about recovering the potential for a practiced poetics of philosophical rigour.

      -- Alan Read, professor of theatre and director of Performance Foundation, King’s College London

      This inventive collection shows that Wittgenstein’s impact on the arts, from poetry to performance, continues to evolve in new directions. By mixing artists and scholars, the volume allows readers to explore surprising lines of influence and to make their own connections across different forms of writing and thinking. An intellectual treat.

      -- Martin Puchner, Harvard University

      Taken together, the essays here profoundly honor the very special feature of Wittgenstein’s mode of thinking, which is so playful and creative that it was bound to inspire the crossings between thinking and performing to which this book testifies. A much-needed book, in Wittgenstein’s spirit.

      -- Mieke Bal, co-founder of the Amsterdam School of Cultural Analysis (ASCA)

      Table of Contents

      Introduction, Mischa Twitchin

      Chapter 1. Familiarity in Gesture: An Encounter Between Dance and Wittgenstein's Thought, Né Barros

      Chapter 2. Pataquerulous Wittgenstein and the Animaladies of Language, Charles Bernstein

      Chapter 3. The Possibility of Fact: Sketching an Origin for the Performative, Simon Bowes

      Verbal Fog (poem), Miles Champion

      Chapter 4. The More One Looks…, Will Daddario and Alice Lagaay

      Chapter 5. The Stage of Thoughts: Ludwig Wittgenstein and Josef Nadj, Veronika Darida

      Chapter 6. Encountering Wittgenstein, Françoise Davoine

      Chapter 7. I’ll Teach You Differences: Wittgenstein Against Philosophical Pseudo-Performance, Peter Dillard

      Chapter 8.Conversation between Signe Gjessing, Ray Monk, and Max Richter

      Chapter 9. Always One Sentence on Every Page Allowed my Mind to Flower, KennethGoldsmith

      Chapter 10. The Fibres, the Fly Bottle, and the Rough Ground: Wittgenstein’s Figuration of Politics, Derek Gottlieb

      Chapter 11. Ethics is Aesthetics, Anthony Howell

      Chapter 12. Let the Use of the Words Teach You Their Meaning: A Dialogue between Sue MacLaine and Jonathan Burrows

      Chapter 13. Reading Jean Bazin with Wittgenstein: Playing Chess or Making Custard?, Bernard Müller

      Chapter 14. The Odd Couple: Duchamp and Wittgenstein, Marjorie Perloff

      In Memoriam (poem), Tom Raworth

      Chapter 15. On Performing Wittgenstein, Bo Tarenskeen

      Chapter 16. Wittgenstein’s Use of the Tableau Vivant: Proposition and Group Performance, The Aesthetics Group (Jeanette Doyle, Cathy O’Carroll, Mick O’Hara, and Connell Vaughan)

      Chapter 17. Philosophical Problems and Stochastic Parrots: Between Aphorism and Algorithm, Mischa Twitchin

      Chapter 18. Wittgenstein Incorporated: A Conversation between Peter and Lukas Verburgt

      Index

      About the Contributors

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