Description

When Babatunde and his friends gather in Mama T's famous peppersoup joint, they tell gist, jokes and stories to make sense of a world gone mad. These stories, as pungent and peppery as Mama T's soup, satirise the 'oppressocracy' of contemporary Nigeria in a bubbling mixture of pidgin and standard English, using forms as diverse as science fiction and the folk-tale.

Corruption, overweening power and privilege, military copus and food shortages - these lunatic times are enough to drive a suffering people to despair, but Okunlola's characters refuse to see themselves as victims and the stories celebrate their ingenuity and resistance. So when a drunken Babatunde, an idiosyncratic speller at the best of times, is roped in to carve an inscription on a monument to be unveiled by a visiting world bank delegation, he somehow manages to get in the last word...

"... these satirical pieces vividly bring to life conditions in contemporary Nigeria."
Trinidad Sunday Guardian

Adeyo (Dayo) Okunlola was born in Nigeria in 1956. In the early 1990s he came to London where he has subsequently worked as a teacher of science in secondary schools.

Without Extremeties

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Paperback / softback by Dayo Okunlola

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Short Description:

When Babatunde and his friends gather in Mama T's famous peppersoup joint, they tell gist, jokes and stories to make... Read more

    Publisher: Peepal Tree Press Ltd
    Publication Date: 01/09/1991
    ISBN13: 9780948833427, 978-0948833427
    ISBN10: 0948833424

    Number of Pages: 156

    Fiction , Contemporary Fiction

    Description

    When Babatunde and his friends gather in Mama T's famous peppersoup joint, they tell gist, jokes and stories to make sense of a world gone mad. These stories, as pungent and peppery as Mama T's soup, satirise the 'oppressocracy' of contemporary Nigeria in a bubbling mixture of pidgin and standard English, using forms as diverse as science fiction and the folk-tale.

    Corruption, overweening power and privilege, military copus and food shortages - these lunatic times are enough to drive a suffering people to despair, but Okunlola's characters refuse to see themselves as victims and the stories celebrate their ingenuity and resistance. So when a drunken Babatunde, an idiosyncratic speller at the best of times, is roped in to carve an inscription on a monument to be unveiled by a visiting world bank delegation, he somehow manages to get in the last word...

    "... these satirical pieces vividly bring to life conditions in contemporary Nigeria."
    Trinidad Sunday Guardian

    Adeyo (Dayo) Okunlola was born in Nigeria in 1956. In the early 1990s he came to London where he has subsequently worked as a teacher of science in secondary schools.

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