Description

An enigmatic meditation on the transition from life to death William Monk (born 1977) is known for his semiabstract, atmospheric and vibrant paintings that feature mysterious and otherworldly forms. Engaged with notions of the afterlife, Monk’s latest series The Ferryman is comprised of large-scale paintings and smaller compositions that focus on the journey from this life into the next.? Published to accompany Monk’s three-venue exhibition at Pace Gallery in New York and East Hampton and Grimm Gallery in New York, this paperback volume guides the reader through all three exhibitions, presenting the entire body of work in a visual narrative, utilizing cinematic proportions and images to replicate the experience of Monk’s careful spatial arrangements. A conversation between the artist and poet John Yau provides new insight into the artist’s creative practices, while text by art historian and critic Suzanne Hudson explores the nuances of the ferryman figure and his psychedelic environment.

William Monk: The Ferryman

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Paperback / softback by William Monk , Mark Beasley

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An enigmatic meditation on the transition from life to death William Monk (born 1977) is known for his semiabstract, atmospheric... Read more

    Publisher: Pace Publishing
    Publication Date: 05/09/2023
    ISBN13: 9781948701525, 978-1948701525
    ISBN10: 1948701529

    Number of Pages: 184

    Non Fiction , Art & Photography

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    Description

    An enigmatic meditation on the transition from life to death William Monk (born 1977) is known for his semiabstract, atmospheric and vibrant paintings that feature mysterious and otherworldly forms. Engaged with notions of the afterlife, Monk’s latest series The Ferryman is comprised of large-scale paintings and smaller compositions that focus on the journey from this life into the next.? Published to accompany Monk’s three-venue exhibition at Pace Gallery in New York and East Hampton and Grimm Gallery in New York, this paperback volume guides the reader through all three exhibitions, presenting the entire body of work in a visual narrative, utilizing cinematic proportions and images to replicate the experience of Monk’s careful spatial arrangements. A conversation between the artist and poet John Yau provides new insight into the artist’s creative practices, while text by art historian and critic Suzanne Hudson explores the nuances of the ferryman figure and his psychedelic environment.

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