Description

Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly coloured grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic colour frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo."

William Klein: Painted Contacts

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Hardback by William Klein , Robert Delpire

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Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process... Read more

    Publisher: Prestel
    Publication Date: 04/03/2021
    ISBN13: 9783791387314, 978-3791387314
    ISBN10: 3791387316

    Number of Pages: 140

    Non Fiction , Art & Photography

    Description

    Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly coloured grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic colour frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo."

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