Description

Book Synopsis
William Blake, poet and artist, is a figure often understood to have ''created his own system''. Combining close readings and detailed analysis of a range of Blake''s work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake''s work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.

Trade Review
'This volume will be valuable for both new and experienced readers and scholars of Blake … Recommended.' D. D. Schierenbeck, Choice
'… William Blake in Context provides a massive amount of information about William Blake with multiple points of departure for further research.' Roger Whitson, European Romantic Review

Table of Contents
Introduction Sarah Haggarty; Part I. Life, Works, and Reception: 1. Life Leo Damrosch; 2. Networks Jon Mee; 3. Engraving Mark Crosby; 4. Illuminated books David Worrall; 5. Manuscripts Sarah Haggarty; 6. Book illustration Luisa Calè; 7. Painting Martin Myrone; 8. Early reception Sibylle Erle and Keri Davies; 9. Late reception Jason Whittaker; 10. Editing and editions Morris Eaves; Part II. Form, Genre, and Mode: 11. Comedy Fred Parker; 12. Prophecy Ian Balfour; 13. Rhythm Derek Attridge; 14. Songs Steve Newman; 15. Sound Michael Hurley; 16. Sublimity David Baulch; 17. System, myth, and symbol Tilottama Rajan; Part III. Creative Cross-Currents: 18. The Bible Stephen Prickett; 19. Chaucer, Spenser, and Shakespeare David Fuller; 20. Milton G. A. Rosso; 21. Eighteenth century and romanticism David Duff; 22. Byron Jerome McGann; 23. Pre-Raphaelites and aesthetes Elizabeth Helsinger; 24. Yeats, Eliot, and Auden Edward Larrissy; 25. Whitman, Crane, and the Beats Linda Freedman; Part IV. History, Society, and Culture: 26. Animals Kurt Fosso; 27. Antiquarianism Noah Heringman; 28. Education and childhood Louise Joy; 29. Empiricism Nicholas M. Williams; 30. Life sciences Denise Gigante; 31. London Saree Makdisi; 32. Money Matthew Rowlinson; 33. Moravianism Alexander Regier; 34. Mysticism Laura Quinney; 35. Nationalism and imperialism Julia M. Wright; 36. Sex, sexuality, gender Susan Matthews; 37. War and revolution Andrew Lincoln; 38. (Without) sympathy Steven Goldsmith.

William Blake in Context

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    A Hardback by Sarah Haggarty

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      Book details

      Published 14 March 2019
      ISBN-13 9781107144910
      978-1107144910

      Description

      Book Synopsis
      William Blake, poet and artist, is a figure often understood to have ''created his own system''. Combining close readings and detailed analysis of a range of Blake''s work, from lyrical songs to later myth, from writing to visual art, this collection of thirty-eight lively and authoritative essays examines what Blake had in common with his contemporaries, the writers who influenced him, and those he influenced in turn. Chapters from an international team of leading scholars also attend to his wider contexts: material, formal, cultural, and historical, to enrich our understanding of, and engagement with, Blake''s work. Accessibly written, incisive, and informed by original research, William Blake in Context enables readers to appreciate Blake anew, from both within and outside of his own idiom.

      Trade Review
      'This volume will be valuable for both new and experienced readers and scholars of Blake … Recommended.' D. D. Schierenbeck, Choice
      '… William Blake in Context provides a massive amount of information about William Blake with multiple points of departure for further research.' Roger Whitson, European Romantic Review

      Table of Contents
      Introduction Sarah Haggarty; Part I. Life, Works, and Reception: 1. Life Leo Damrosch; 2. Networks Jon Mee; 3. Engraving Mark Crosby; 4. Illuminated books David Worrall; 5. Manuscripts Sarah Haggarty; 6. Book illustration Luisa Calè; 7. Painting Martin Myrone; 8. Early reception Sibylle Erle and Keri Davies; 9. Late reception Jason Whittaker; 10. Editing and editions Morris Eaves; Part II. Form, Genre, and Mode: 11. Comedy Fred Parker; 12. Prophecy Ian Balfour; 13. Rhythm Derek Attridge; 14. Songs Steve Newman; 15. Sound Michael Hurley; 16. Sublimity David Baulch; 17. System, myth, and symbol Tilottama Rajan; Part III. Creative Cross-Currents: 18. The Bible Stephen Prickett; 19. Chaucer, Spenser, and Shakespeare David Fuller; 20. Milton G. A. Rosso; 21. Eighteenth century and romanticism David Duff; 22. Byron Jerome McGann; 23. Pre-Raphaelites and aesthetes Elizabeth Helsinger; 24. Yeats, Eliot, and Auden Edward Larrissy; 25. Whitman, Crane, and the Beats Linda Freedman; Part IV. History, Society, and Culture: 26. Animals Kurt Fosso; 27. Antiquarianism Noah Heringman; 28. Education and childhood Louise Joy; 29. Empiricism Nicholas M. Williams; 30. Life sciences Denise Gigante; 31. London Saree Makdisi; 32. Money Matthew Rowlinson; 33. Moravianism Alexander Regier; 34. Mysticism Laura Quinney; 35. Nationalism and imperialism Julia M. Wright; 36. Sex, sexuality, gender Susan Matthews; 37. War and revolution Andrew Lincoln; 38. (Without) sympathy Steven Goldsmith.

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