Description
Book SynopsisWritten by the former Deputy Head of Make-Up and Wigs at the National Theatre, this book opens up a process that very few people will otherwise be privy to, giving perspectives on the preparation before a production and responsibilities during, as well as looking more widely at training, career opportunities and success. It does so through drawing upon some of the most adventurous and challenging productions mounted at the National Theatre and elsewhere. From designing and fitting wigs to managing lighting-fast quick changes, hair, wigs and make-up people are a major part of the creation of any theatrical production. Yet their role and contribution are much less discussed and written about than elements such as writing, directing and acting, despite being critical to defining and executing the aesthetic of a production. Their involvement requires a great deal of research and creative thinking; collaboration with other members of the creative team; specific knowledge of wig-making and m
Table of ContentsIntroduction Chapter 1: Design and Research Chapter 2: Making a Wig Chapter 3: Wig/Hairdressing Chapter 4: Make Up Chapter 5: Prosthetic and Stage Effects Chapter 6: Staging Chapter 7: Kit and Employability Conclusion
