Description
Book SynopsisSHORTLISTED FOR STANFORD DOLMAN TRAVEL BOOK OF THE YEAR
From a trip to The Lightning Field in New Mexico, to chasing Gauguin's ghost in French Polynesia, White Sands is a creative exploration of why we travel.
Episodic, wide-ranging and funny, Geoff Dyer blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. From one of the most original writers in Britain, this is a book for armchair travellers and procrastinating philosophers everywhere.
Trade ReviewBrilliant . . . Dyer's eyes miss nothing -- PETER CONRAD * * Observer * *
An examination of some of the most fundamental questions of life . . . Inspiring and informing * * Guardian * *
Even Chekhov might have envied Geoff Dyer's talent . . . Almost perfect -- JAN MORRIS * * Spectator * *
[A] disregard for genre boundaries is a hallmark of his work, along with erudition, a brilliant use of language and irreverent humour . . . The nearest thing to
White Sands in Dyer's back catalogue is
Yoga for People Who Can't Be Bothered to Do It * * Daily Telegraph * *
Surpassingly eloquent . . . there's no other writer quite like Dyer * * Time * *
Illuminating . . . A collection unified by a focus on our impermanence. Why are we here? Dyer asks. With his customary elegance of thought, he sees that our attempts to transcend our situation through travel and art are motivated by our awareness of our final destination: "We are here to go somewhere else". -- LUKE BROWN * * Financial Times * *
A national treasure -- ZADIE SMITH
Dyer's virtue is not the whole-hearted embrace of experience and exotic locales but the parsing of degrees of disappointment. He also doesn't pretend to be heading anywhere, but then
White Sands turns into a memoir and becomes unexpectedly moving . . . Dyer's tone as he relates his frightening brush with tragedy is calm and full of curiosity, possibly as a result of eschewing drama for his entire life. -- JANE SMILEY * * Los Angeles Times * *
White Sands isn't just a catalog of travel mishaps, with Mr. Dyer cast as an English-speaking Monsieur Hulot. It is also a rumination on the meanings we assign the strange destinations of our pilgrimages.
* * New York Times * *
Reading Dyer is akin to the sudden elation and optimism you feel when you make a new friend, someone as silly as you but cleverer too, in whose company you know you will travel through life more vagrantly, intensely, joyfully * * Daily Telegraph * *
Geoff Dyer is a true original - one of those rare voices in contemporary literature that never ceases to surprise, disturb and delight -- William Boyd
Quite possibly the best living writer in Britain * * Daily Telegraph * *
A collection of essays fusing travel writing and fiction . . . Dyer plays fast and loose with genre and category * * Telegraph * *
The title essay, about picking up an ex-con hitchhiker on US Route 54 before passing a warning sign against doing exactly that, reads like a brilliant short story. It's electrifying - unlike the Northern Lights * * Tatler Magazine * *
Cleverer, more self-deprecating and funnier in these essays, set all over the world and in his unique mind. Dyer's last travel book,
Yoga for People Who Can't be Bothered to Do It, sold over 50,000 copies in the UK alone, and this is just as good: a travel title that asks not just where, but why, with Dyer's typical sardonic wit * * The Bookseller * *
