Description

Book Synopsis
Interweaving academic theory, (auto)ethnography, and memoir-styled narrative, Christopher M. Driscoll explores what the white devil trope means for understanding and responding to tensions emerging from toxic white masculinity. The book provides a historical and philosophical account of the white devil as it appears in the stories and myths of various black religious and philosophical traditions, particularly as these traditions are expressed through the contemporary cultural expression of hip-hop. Driscoll argues that the trope of the white devil emerges from a self-hatred in many white men that is concealed (and revealed) through various defence mechanisms principally, anger and the book provides rich ground to discuss the relationship between perceptions of self (i.e. who we are), emotional regulation, and our behaviour towards others (i.e. how we act).

Trade Review
This book is a gift for this time in history, an essential read for people who want to build communities to counter white racism and nurture expansive, generative interdependence. The analysis of harms done is rigorous and compelling, and the depiction of paths forward for genuine reparations and systemic justice are original, evocative, and catalytic. * Sharon D. Welch, Author of After the Protests Are Heard: Enacting Civic Engagement and Social Transformation (2019). *
As an incredibly rare work in its honesty, transparency, and depth, Christopher M. Driscoll's White Devils, Black Godsis an excellent contribution to the emerging nexus in scholarship on religio-racial identity, gender politics, and hip hop music and culture. * Juan M. Floyd-Thomas, Associate Professor of African American Religious History, Vanderbilt University, USA *

Table of Contents
1. “We Made It” 2. Autoethnography as Autopoiesis 3. Introductions 4. Theophany 5. I Am Who I Am 6. Troglodytes 7. Good Lords & White Devils 8. Co-Dependent 9. Neuroses 10. Selfhood 11. Dysfunction 12. Adult Children 13. Cycles of Abuse 14. Emotional Intelligence 15. Discernment 16. My Two Gods Questions for Discussion Bibliography Index

White Devils Black Gods

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    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Paperback / softback by Christopher M. Driscoll

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      Publisher: Bloomsbury Publishing PLC
      Publication Date: 03/11/2022
      ISBN13: 9781350175938, 978-1350175938
      ISBN10: 1350175935

      Description

      Book Synopsis
      Interweaving academic theory, (auto)ethnography, and memoir-styled narrative, Christopher M. Driscoll explores what the white devil trope means for understanding and responding to tensions emerging from toxic white masculinity. The book provides a historical and philosophical account of the white devil as it appears in the stories and myths of various black religious and philosophical traditions, particularly as these traditions are expressed through the contemporary cultural expression of hip-hop. Driscoll argues that the trope of the white devil emerges from a self-hatred in many white men that is concealed (and revealed) through various defence mechanisms principally, anger and the book provides rich ground to discuss the relationship between perceptions of self (i.e. who we are), emotional regulation, and our behaviour towards others (i.e. how we act).

      Trade Review
      This book is a gift for this time in history, an essential read for people who want to build communities to counter white racism and nurture expansive, generative interdependence. The analysis of harms done is rigorous and compelling, and the depiction of paths forward for genuine reparations and systemic justice are original, evocative, and catalytic. * Sharon D. Welch, Author of After the Protests Are Heard: Enacting Civic Engagement and Social Transformation (2019). *
      As an incredibly rare work in its honesty, transparency, and depth, Christopher M. Driscoll's White Devils, Black Godsis an excellent contribution to the emerging nexus in scholarship on religio-racial identity, gender politics, and hip hop music and culture. * Juan M. Floyd-Thomas, Associate Professor of African American Religious History, Vanderbilt University, USA *

      Table of Contents
      1. “We Made It” 2. Autoethnography as Autopoiesis 3. Introductions 4. Theophany 5. I Am Who I Am 6. Troglodytes 7. Good Lords & White Devils 8. Co-Dependent 9. Neuroses 10. Selfhood 11. Dysfunction 12. Adult Children 13. Cycles of Abuse 14. Emotional Intelligence 15. Discernment 16. My Two Gods Questions for Discussion Bibliography Index

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