Description
Book SynopsisPriya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.
Trade Review“With grace and flair Priya Jaikumar shows how the preproduction practices and industry cultures of cinema—from expedition and nature films to commercial Bollywood cinema—produced and reinforced the spatial notions of territory and empire that dominated geopolitical histories. She looks forward to contemporary Indian geopolitics, as the privatization of economic resources increasingly harms vulnerable populations—even while location-based films exploit these populations and iconic precolonial architecture, now often in ruins, for a cinematic backdrop or ambience. Here is a magnificent study.” -- Tom Conley, Abbott Lawrence Lowell Professor, Harvard University
“
Where Histories Reside is a superbly written book in which Priya Jaikumar uses the optics of space to recast the discourse of Indian cinema and its pasts. Landscape, territory, and architecture are brought into conversation with geography, cultural theory, cinema studies, and politics. The result is a magnificent and methodologically daring approach that displaces the desire for causality with the spatialization of historical inquiry.” -- Ranjani Mazumdar, Professor of Cinema Studies, School of Arts and Aesthetics, Jawaharlal Nehru University, Delhi
"Employing a variety of methodologies, the volume is valuable both in itself and as a model for subaltern cinema history and historiography." -- K. J. Wetmore Jr. * Choice *
"Written with style and verve, [
Where Histories Reside] is one of those rare academic works that can justifiably claim a readership beyond conventional disciplinary provinces like film history or theory." -- Anustup Basu * Critical Quarterly *
“
Where Histories Reside is a great resource.... It is an authoritative book with meticulous research.... [I] recommend it to those who are interested in how space, history, geography, and people have come to create the cinematic space.” -- Umme Al-wazedi * Quarterly Review of Film and Video *
“
Where Histories Reside might be a book of multiple localised legacies concerning regional geography, Empire and globalised networks of capital and film production, but it is also very much a publication brimming with hard-won personal insight and critical reflection.” -- Alastair Philips * BioScope *
“
Where Histories Reside shows that space is not a thing to be filmed, nor simply a place to film in.... Jaikumar’s book invites us to regard both national and cinematic space as overdetermined and also to consider that seeing filmed space requires multiple overlapping lenses.” -- Pamela Robertson Wojcik * Journal of Cinema and Media Studies *
“Beginning with a promise of realizing a spatial critique in film studies, this book contributes to the spatial turn in film studies.... The significant success of the book is in gesturing towards diverse methods which go beyond the textual, enter the world of commerce, labour and interlink the on screen with off screen.” -- C. Yamini Krishna * Historical Journal of Film, Radio and Television *
Table of ContentsAcknowledgments xi
Introduction: Filmed Space 1
Part I. Rationalized Spaces
1. Disciplinary: Indian Towns in British Geography Classrooms 35
2. Regulatory: The State in Films Division's Himalayan Documentaries 75
Part II. Affective Spaces
3. Sublime: Immanence and Transcendence in Jean Renoir's India 125
4. Residual: Lucknow and the
Haveli as Cinematic Topoi 181
Part III. Commodified Spaces
5. Global: From Bollywood Locations to Film Stock Rations 233
Conclusion: Cinema and Historiographies of Space 287
Appendix 311
Notes 313
Bibliography 355
Index 389
