Description

Book Synopsis

Truman and Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century - the man who painted Guernica and the man who authorised the use of atomic bombs against civilians.But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Harry Truman hated more than communists was modern art. Picasso was an indifferent father, a womaniser, and a millionaire. Truman was utterly devoted to his family and, despite his fame, far from a rich man. How did they come to be shaking hands in front of Picasso’s studio in the South of France?

Truman’s meeting with Picasso was quietly arranged by Alfred H. Barr Jr, the founding director of New York’s Museum of Modern Art and an early champion of Picasso. Barr knew that if he could convince these two ideological antipodes, the straight-talking politician from Missouri and the Cubist painter from Malaga, to simply shake hands, it would send a powerful message, not just to reactionary Republicans pushing McCarthyism at home, but to the whole world: modern art was not evil.

Truman author Matthew Algeo retraced the Trumans’ Mediterranean vacation and visited the places they went with Picasso, including Picasso’s villa, Picasso’s ceramics studio in Vallauris, and Chateau Grimaldi, a museum in Antibes.

A rigorous history with a heartwarming centre, When Harry Met Pablo intertwines the biographies of Truman and Picasso, the history of modern art, and twentieth century American politics, but at its core it is the touching story of two old men who meet for the first time and realise they have more in common - and are more alike - than they ever imagined.



Table of Contents
Introduction
Part I: Art with a Capital “A”
1. The Nelson Gallery
2. Insults to Classical Ideals
3. A Beautiful Circle
4. MoMA
Part II: The Gentleman from Michigan
5. Advancing American Art
6. A Stalwart Republican
7. Gallery on Wheels
8. Termites and Vermin
9. The Patriotic Council
Part III: Harry Truman’s European Adventure
10. Sam and Dorothy
11. “Come on Up”
12. Distracting Visitors
13. The Independence
14. Naples
15. Genoa
16. Le Fermier
17. Madame Privat
18. Sightseeing with Picasso
19. The French Communist Caricaturist
Epilogue
Index

When Harry Met Pablo: Truman, Picasso, and the

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    A Hardback by Matthew Algeo

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      View other formats and editions of When Harry Met Pablo: Truman, Picasso, and the by Matthew Algeo

      Publisher: Chicago Review Press
      Publication Date: 14/11/2023
      ISBN13: 9781641607872, 978-1641607872
      ISBN10: 1641607874

      Description

      Book Synopsis

      Truman and Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century - the man who painted Guernica and the man who authorised the use of atomic bombs against civilians.But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Harry Truman hated more than communists was modern art. Picasso was an indifferent father, a womaniser, and a millionaire. Truman was utterly devoted to his family and, despite his fame, far from a rich man. How did they come to be shaking hands in front of Picasso’s studio in the South of France?

      Truman’s meeting with Picasso was quietly arranged by Alfred H. Barr Jr, the founding director of New York’s Museum of Modern Art and an early champion of Picasso. Barr knew that if he could convince these two ideological antipodes, the straight-talking politician from Missouri and the Cubist painter from Malaga, to simply shake hands, it would send a powerful message, not just to reactionary Republicans pushing McCarthyism at home, but to the whole world: modern art was not evil.

      Truman author Matthew Algeo retraced the Trumans’ Mediterranean vacation and visited the places they went with Picasso, including Picasso’s villa, Picasso’s ceramics studio in Vallauris, and Chateau Grimaldi, a museum in Antibes.

      A rigorous history with a heartwarming centre, When Harry Met Pablo intertwines the biographies of Truman and Picasso, the history of modern art, and twentieth century American politics, but at its core it is the touching story of two old men who meet for the first time and realise they have more in common - and are more alike - than they ever imagined.



      Table of Contents
      Introduction
      Part I: Art with a Capital “A”
      1. The Nelson Gallery
      2. Insults to Classical Ideals
      3. A Beautiful Circle
      4. MoMA
      Part II: The Gentleman from Michigan
      5. Advancing American Art
      6. A Stalwart Republican
      7. Gallery on Wheels
      8. Termites and Vermin
      9. The Patriotic Council
      Part III: Harry Truman’s European Adventure
      10. Sam and Dorothy
      11. “Come on Up”
      12. Distracting Visitors
      13. The Independence
      14. Naples
      15. Genoa
      16. Le Fermier
      17. Madame Privat
      18. Sightseeing with Picasso
      19. The French Communist Caricaturist
      Epilogue
      Index

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