Description
Book SynopsisWhat We Owe is a novel of love, guilt and dreams for a better future, vibrating with both sorrow and an unquenchable
joie de vivre.
Trade ReviewI read this ferocious novel in one sitting, enthralled by the rage of its narrator. Nahid confronts her own suffering with dark humor and noisy honesty, while taking aim at a patriarchal tradition that expects her to be silent -- Leni Zumas, author of Red Clocks
[A] short yet remarkable novel . . . Rather than a gentle meditation on a life lived to the full,
What We Owe is filled with the rage of a woman who has been through trauma and loss, who has been left haunted by violence, and who wants more from those that love her * Stylist *
Translated - gorgeously and simply - by Wessel, Nahid's sentences are short and thrillingly brutal, and the result is exhilarating. Hashemzadeh Bonde, unafraid of ugliness and seemingly unconcerned with likability, has produced a startling meditation on death, national identity, and motherhood. Always arresting, never sentimental; gut-wrenching, though not without hope * Kirkus *
What We Owe refuses sentimental consolations . . . Terse, urgent prose-ably channelled by Elizabeth Clark Wessel, the translator-gives pace and heft to a novel of contagious trauma. Still, Ms Hashemzadeh Bonde lets in a closing ray of hope * The Economist *
Here is an extraordinary story of exile, dislocation, and the emotional minefields between mothers and daughters; a story of love, guilt and dreams for a better future, vibrating with both sorrow and an unquenchable
joie de vivre. With its startling honesty, dark wit, and irresistible momentum,
What We Owe introduces a fierce and necessary new voice in international fiction -- Judges of the Dayton Literary Peace Prize
