Description

Book Synopsis
In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art.

Table of Contents
Contents: Transparency – Photographs and Transparency –
Films and Transparency – Criticisms of Transparency – Illusionism – Introduction – Currie’s Arguments Against Cognitive Illusionism – Arguments Against Cognitive Illusionism – Currie’s Arguments Against Perceptual Illusionism – Evaluating Perceptual Illusionism – Perceptual Realism – Currie’s Account of Perceptual Realism – Problems with Resemblance Theories – Summarizing the Doctrines of Film Realism – A New Theory of the Ontology of Film – Introduction – Films as Creative Works of Art.

What Is Film

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    Order before 4pm today for delivery by Sat 20 Jun 2026.

    A Hardback by Julie N. Books

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      View other formats and editions of What Is Film by Julie N. Books

      Publisher: Peter Lang Publishing Inc
      Publication Date: 1/4/2016 12:05:00 AM
      ISBN13: 9781433134081, 978-1433134081
      ISBN10: 143313408X

      Description

      Book Synopsis
      In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art.

      Table of Contents
      Contents: Transparency – Photographs and Transparency –
      Films and Transparency – Criticisms of Transparency – Illusionism – Introduction – Currie’s Arguments Against Cognitive Illusionism – Arguments Against Cognitive Illusionism – Currie’s Arguments Against Perceptual Illusionism – Evaluating Perceptual Illusionism – Perceptual Realism – Currie’s Account of Perceptual Realism – Problems with Resemblance Theories – Summarizing the Doctrines of Film Realism – A New Theory of the Ontology of Film – Introduction – Films as Creative Works of Art.

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