Description
Book SynopsisThe Scientific Revolution of the seventeenth century has often been called a decisive turning point in human history. It represents, for good or ill, the birth of modern science and modern ways of viewing the world. In What Galileo Saw, Lawrence Lipking offers a new perspective on how to understand what happened then, arguing that artistic imagination and creativity as much as rational thought played a critical role in creating new visions of science and in shaping stories about eye-opening discoveries in cosmology, natural history, engineering, and the life sciences.When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon''s natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical Book of
Trade Review
The ten amusing and witty essays in What Galileo Saw, which are loosely connected and can be read independently, stem from the premise that if Christian time 'began with the Nativity of Christ, then another age, the dawn of modern times, began when Galileo looked through his spyglass' (p. 3). Lawrence Lipking deals with the cultural impact of the Scientific Revolution and does not claim to explain its genesis beyond recognizing three basic versions of the story.
-- William R. Shea * Isis *
While tensions between religion and science and arguments about the loss of meaning in the world were obvious as early as the 1600s and continue today (witness modern scientists such as Carl Sagan in Pale Blue Dot and Richard Dawkins in Unweaving the Rainbow attempting to dispel this perception), Lipking supports his thesis admirably by blending literary analysis of period texts with the philosophers' own writings. He demonstrates that there was no clean line of progress and that the world was never turned fully mechanistic by any of these great scientists. VERDICT Substantial and erudite, this title will appeal to scholarly readers studying the philosophy and history of science.
-- Evan M. Anderson * Library Journal *
Eighteenth-century literary studies have always been interdisciplinary; understanding Pope and Swift entails understanding garden history and developments in astronomy. Distinguished historian of literary and art theory and of the novel, Lipking (emer.Northwestern) has done enough homework to write a book about the scientific revolution that passes muster with such discerning of historians of science as Peter Dear. The book is not, as it first seems, a connected account of the role of visual imaging in science; rather, Lipking offers a series of meditations on individual figures from Galileo and Kepler to Hooke and Newton.... Lipking's audience is not historians of science but students of literature and even, given his admirable clarity, general readers, for whom he has provided a thoroughly accessible intellectual feast.
-- D.L. Patey * Choice *
Table of Contents1. Introducing a Revolution2. What Galileo Saw: Two Fables of Sound and Seeing3. Kepler's Progress: Imagining the Future4. The Poetry of the World: A Natural History of Poetics5. "Look There, Look There!" Imagining Life in King Lear6. The Dream of Descartes: The Book of Nature and the Infinite I AM7. A History of Error: Robert Fludd, Thomas Browne, and the Harrow of Truth8. The Century of Genius (1): Measuring Up9. The Century of Genius (2): Hooke, Newton, and the System of the World10. Revolution and Its Discontents: The Skeptical ChallengeAppendix 1. Galileo: The Fable of SoundAppendix 2. Descartes's Three DreamsNotes
Bibliography
Index
