Description
Book SynopsisThis unique work examines the role played by sexuality in the historical encounter between China and the West. Distinguished historian D. E. Mungello focuses especially on Western homosexuals who saw China as a place of escape from the homophobia of Europe and North America. His groundbreaking study traces the lives of two dozen men, many previously unknown to have same-sex desire, who fled to China and in the process influenced perceptions of Chinese culture to this day. Their individual stories encompass flight from homophobia in their home countries, the erotic attraction of Chinese boy-actors, friendships with Chinese men, intellectual connections with the Chinese, and the reorientation of Western aesthetics toward China. Mungello explores historical attitudes and the atmosphere of oppression toward men with same-sex desire as he recounts the intensification of repression of queers in Europe and North America in the late nineteenth-century. He shows how China became a place of esca
Trade ReviewMungello has succeeded in vividly, empathetically and convincingly characterising a wide array of queer men, while acknowledging any gaps or uncertainties in the evidence. The book is a lucid, focused and coherent study on an under-researched topic, and deserves special respect for its broadening of the focus of LGBT/Queer research within Chinese Studies. * Women and Gender in Chinese Studies Review *
This is a heartfelt tour of sinology’s gay male closet, the door for some of the scholars and ‘aesthetes’ who journeyed from the West to China locked more tightly than for others. By consulting archives and attempting personal contact with surviving family and friends (not all of whom agreed to talk), historian Mungello tells the ‘story of how twenty-three different men with same-sex desire fled to China and influenced history.’ . . . Throughout, Mungello asks a familiar question—What links a (Western, male) homosexual orientation with a passion for Asia?—but from a newer perspective: China hands in the Age of Imperialism. His book is informed, entertaining, and melancholy in equal measure. The heart may be unfathomable, but Mungello has proven it is there. -- John Whittier Treat * Journal of Asian Studies *
D. E. Mungello explores the fascinating question of why so many gay men have been attracted to China, and what impact their enthusiasm has had on Western perceptions of that country. Instead of seeing Orientalism from the standpoint of the Asian subaltern, the reader is shown how generations of gay men have turned to China as a psychological, aesthetic, and even legal refuge. . . . A valuable contribution to our understanding of imperialism, Orientalism, and gay history. Mungello demonstrates the surprisingly important role that gay men have had in eliciting Western awareness of China’s profoundly rich aesthetic and intellectual heritage. He also suggests how homoeroticism has shaped Western scholarship and literature about China. Readers cannot help but come away with a fresh view of the history of Sino-Western interactions. -- Bret Hinsch * Nan Nü: Men, Women and Gender in China *
This is a fascinating read for anyone involved with China. David Mungello's novel focus on sexual orientation and Sinology illuminates the individuality of these cultural pioneers to striking effect. -- T. H. Barrett, University of London
This is a fascinating journey into the lives of a number of Western men who, especially at the turn of last century, felt irresistibly attracted to China, traveled there, and sometimes made it their home. Aesthetes and art collectors, pharmacists, poets and opera fans, eccentric Sinologists—what drew these men to China? Many of them, David Mungello suggests, shared a most private and powerful secret—their homosexuality. Much has been written about orientalists as complicit agents of the colonial enterprise. Mungello’s book offers a corrective, showing that at least some of them might have been sexual refugees more than anything else. -- Giovanni Vitiello, University of Hawai‘i at Manoa
Table of ContentsPreface Introduction Chapter 1: Flight to the Land of Oz Chapter 2: The Exotic Appeal of Chinese Boy-Actors Chapter 3: Establishing Friendships in Imperial China Chapter 4: Establishing Friendships in Post-1911 China Chapter 5: Establishing Intellectual Connections with China Chapter 6: The Reorientation of Western Aesthetics Epilogue
