Description

Book Synopsis
This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold.

Table of Contents
 Abstract  Keywords 1  Part 1 Cultural Production and the Market for Creative Works  Part 2 Cultural Production and Community Identity  Part 3 Cultural Production and Binary Thinking  Part 4 Surviving  References

Western Dualism and the Regulation of Cultural Production

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    A Paperback by Fiona MacMillan

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      Publisher: Brill
      Publication Date: 12/08/2021
      ISBN13: 9789004470965, 978-9004470965
      ISBN10:
      Also in:
      The arts: general topics

      Description

      Book Synopsis
      This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold.

      Table of Contents
       Abstract  Keywords 1  Part 1 Cultural Production and the Market for Creative Works  Part 2 Cultural Production and Community Identity  Part 3 Cultural Production and Binary Thinking  Part 4 Surviving  References

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