Description

Book Synopsis


Trade Review
"With his critical and thorough approach, Levaux manages to cast light on the historical contexts, stylistic nuances and elaborates thereby in a manner, that should resonate and be relevant for both the uninitiated as well as the fanatics." * Scene Point Blank *
"In his quest for ‘Truth’, Levaux provides deeply valuable new historical, disciplinary, and critical perspectives on the history of minimalism, offering novel insights into a topic that many have previously addressed." * Music & Letters *

Table of Contents
Acknowledgments
Introduction

1. 1960: Before Minimalism
2. Taking Root in Modernity: New Music
3. Transcribing Music: New York Avant-Gardists and Monotonality
4. 1967: Giants?
5. Creating Genres: The Theatre of Mixed Means and Dream Music
6. Taking Sides over a New Medium: Electronic Music
7. The New York Hypnotic School: Founding a Movement
8. Untying the Bonds: Process Music
9. Transfiguring Experimental Music: Minimal Music
10. 1975: The Emergence of Minimalism
11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity
12. Persevering: Systems
13. Giving Up Ground; Retaking It: Minimal Music
14. Subscribing to an Idea: A New Current and Modern Music
15. Disrupting the Status Quo: American Minimal Music
16. Going beyond Modernity: Jameson and Lyotard
17. Opening the Borders: Popular Music
18. 1984: The Spread of Minimalism
19. Confirming an Established Fact: Perspectives of New Music
20. Furthering the Fight: New Sounds
21. 1994: The Arrival of Minimalism
22. In Conquest of the Twenty-First Century

Epilogue
Notes
References
Index

We Have Always Been Minimalist

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    Order before 4pm today for delivery by Mon 6 Jul 2026.

    A Paperback / softback by Christophe Levaux, Rose Vekony

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      View other formats and editions of We Have Always Been Minimalist by Christophe Levaux

      Publisher: University of California Press
      Publication Date: 01/09/2020
      ISBN13: 9780520295278, 978-0520295278
      ISBN10: 0520295277

      Description

      Book Synopsis


      Trade Review
      "With his critical and thorough approach, Levaux manages to cast light on the historical contexts, stylistic nuances and elaborates thereby in a manner, that should resonate and be relevant for both the uninitiated as well as the fanatics." * Scene Point Blank *
      "In his quest for ‘Truth’, Levaux provides deeply valuable new historical, disciplinary, and critical perspectives on the history of minimalism, offering novel insights into a topic that many have previously addressed." * Music & Letters *

      Table of Contents
      Acknowledgments
      Introduction

      1. 1960: Before Minimalism
      2. Taking Root in Modernity: New Music
      3. Transcribing Music: New York Avant-Gardists and Monotonality
      4. 1967: Giants?
      5. Creating Genres: The Theatre of Mixed Means and Dream Music
      6. Taking Sides over a New Medium: Electronic Music
      7. The New York Hypnotic School: Founding a Movement
      8. Untying the Bonds: Process Music
      9. Transfiguring Experimental Music: Minimal Music
      10. 1975: The Emergence of Minimalism
      11. Fighting or Laying Down Arms: Music with Roots in the Aether and Simplicity
      12. Persevering: Systems
      13. Giving Up Ground; Retaking It: Minimal Music
      14. Subscribing to an Idea: A New Current and Modern Music
      15. Disrupting the Status Quo: American Minimal Music
      16. Going beyond Modernity: Jameson and Lyotard
      17. Opening the Borders: Popular Music
      18. 1984: The Spread of Minimalism
      19. Confirming an Established Fact: Perspectives of New Music
      20. Furthering the Fight: New Sounds
      21. 1994: The Arrival of Minimalism
      22. In Conquest of the Twenty-First Century

      Epilogue
      Notes
      References
      Index

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