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Book Synopsis

The world''s most influential contemporary-art curator explores the history and practice of his craft

Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age.

Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher''s seventeenth-century Wunderkammer to modern museums, and points the way for projects ye

Ways of Curating

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    A Paperback / softback by Hans Ulrich Obrist

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      Publisher: Farrar, Straus and Giroux
      Publication Date: 15/03/2016
      ISBN13: 9780374535698, 978-0374535698
      ISBN10: 0374535698

      Description

      Book Synopsis

      The world''s most influential contemporary-art curator explores the history and practice of his craft

      Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age.

      Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher''s seventeenth-century Wunderkammer to modern museums, and points the way for projects ye

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