Description
Book SynopsisWayne Thiebaud: 1958-1968 examines Thiebaud's ongoing impact on contemporary art through in-depth analysis of the paintings and drawings made at the launch of his career, at a seminal moment when the art world was moving beyond Abstract Expressionism and redefining itself. By questioning Thiebaud's relationship to Pop art, his self-imposed distance from the movement, and the popular urge to affiliate him with it, Teagle explores the role of his painting in the traffic of images at the end of the twentieth century. Organized in close cooperation with the artist, this is the first study of the emergence of Thiebaud's mature style and the only museum exhibition to date to delve into a specific period of his production, a time that coincides with the start of his teaching career at University of California at Davis. Thiebaud's art, like that of the celebrated Pop artists with whom he shared early exhibitions, is ripe for critical reappraisal. The soft nature of Thiebaud's famous subjects, his creamy pies and dripping ice creams, positioned his art as fodder for social-political review on occasion, but rarely for serious historical analysis. Since the beginning of his career Thiebaud reminded critics of his formal interests and his deep affiliation with the history of painting. This exhibition takes as its starting point an understanding of Thiebaud's painterly language-its historical sources and contemporary affiliations. Shaped around the seminal exhibitions that marked Thiebaud's entrance onto the stage of contemporary art, it concludes with a close reading of the artists' expanded subject matter presented in a major traveling exhibition in 1968. Portraits and landscapes now joined the food that prevailed in early exhibitions, and all pictured in the artist's now signature style of objects deployed in neutral space, bounded by halated light and casting long shadows of saturated color. With contributions from Alexander Nemerov and Margaretta Lovell. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Exhibition dates: Manetti Shrem Museum of Art, University of California, Davis: January 16-May 15, 2018
Trade Review“...a strong and cohesive survey that offers a chance to reconsider Thiebaud’s early work and its influence on 20th century American painting.” * Sacramento Bee *
"...an extraordinary opportunity to see original works from Thiebaud’s breakout period, together in one place." * San Francisco Chronicle *
Table of ContentsForeword Ralph J. Hexter
Acknowledgments Rachel Teagle
Presence from Absence: Wayne Thiebaud and the Future of Painting Rachel Teagle
Wayne Thiebaud’s Early Landscapes: Picturing Gravity Margaretta Lovell
Exaggerations of the Real: Wayne Thiebaud and Joseph Heller Alexander Nemerov
Plates with entries by Francesca Wilmott
Artist’s Statement Wayne Thiebaud
Illustrated Chronology Arielle Hardy
Selected Bibliography
Manetti Shrem Museum Advisory and Honorary Boards
Lenders to the Exhibition
Index
