Description

Book Synopsis
A modern short story collection.

Trade Review
'James Hawes belongs to a new generation of fast, funky, streetwise British male novelists: the one that has stopped sounding like Martin Amis and started sounding like Helen Fielding, moving away from the literary pyrotechnics of the New Statesman 70s crowd and repositioning itself in the more lenient and less vinegary arena of relationships and blokeish self-awareness.' The Guardian on Dead Long Enough by James Hawes 'If Azzopardi is guaranteed anything, it's an audience of loudly howling readers.' The Guardian on Remember Me by Trezza Azzopardi 'This is a compulsive, brief and important read. Its power stems from Griffiths's ability to ventriloquise characters who do not normally make it into 'literary fiction', and from the daring mix of registers which has become his trademark.' The Observer on The Stump by Niall Griffiths

Wales Half Welsh

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    A Paperback by John Williams

    £13.49

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    RRP £14.99 – you save £1.50 (10%)

    Order before 4pm today for delivery by Mon 19 Oct 2026.

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      Book details

      Publisher Bloomsbury
      Imprint Bloomsbury Publishing PLC
      Published 9 June 2004
      ISBN-13 9780747566069
      978-0747566069
      ISBN-10 0747566062

      Description

      Book Synopsis
      A modern short story collection.

      Trade Review
      'James Hawes belongs to a new generation of fast, funky, streetwise British male novelists: the one that has stopped sounding like Martin Amis and started sounding like Helen Fielding, moving away from the literary pyrotechnics of the New Statesman 70s crowd and repositioning itself in the more lenient and less vinegary arena of relationships and blokeish self-awareness.' The Guardian on Dead Long Enough by James Hawes 'If Azzopardi is guaranteed anything, it's an audience of loudly howling readers.' The Guardian on Remember Me by Trezza Azzopardi 'This is a compulsive, brief and important read. Its power stems from Griffiths's ability to ventriloquise characters who do not normally make it into 'literary fiction', and from the daring mix of registers which has become his trademark.' The Observer on The Stump by Niall Griffiths

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