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Book Synopsis
Miles Burrows is a poet always in love, and confused - as lovers tend to be - by the inconstant nature of 'the other'. In this, his second book of poems, published half a century after the first (A Vulture's Egg, 1966), he is also aware, merrily for the most part, of mortality. Eros and Thanatos tap at his funny bone. Does God exist? he asks. Will the nightingale, the one right nightingale, sing?The landscapes of these poems are drawn from the Far East, New Guinea and the Home Counties, where Burrows has served as a doctor, psychiatrist and a teacher. Thematically the poems build on Burrows's eccentric childhood in a vanished but vividly reimagined, even re-invented England, rich in voices, disappointments and epiphanies and always maintaining a dialogue - now mischievous, now outrageous - with the present. The reader gratefully turns the pages, hoping the conversation will continue well beyond the back cover.

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'I'm proud to declare myself your fan. More a Mercedes than a minipoet.' Julian Mitchell; 'Your writing amused me greatly.' Anthony Powell

Waiting for the Nightingale

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    A Paperback / softback by Miles Burrows

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      Publisher: Carcanet Press Ltd
      Publication Date: 27/04/2017
      ISBN13: 9781784103408, 978-1784103408
      ISBN10: 1784103403
      Also in:
      Poetry

      Description

      Book Synopsis
      Miles Burrows is a poet always in love, and confused - as lovers tend to be - by the inconstant nature of 'the other'. In this, his second book of poems, published half a century after the first (A Vulture's Egg, 1966), he is also aware, merrily for the most part, of mortality. Eros and Thanatos tap at his funny bone. Does God exist? he asks. Will the nightingale, the one right nightingale, sing?The landscapes of these poems are drawn from the Far East, New Guinea and the Home Counties, where Burrows has served as a doctor, psychiatrist and a teacher. Thematically the poems build on Burrows's eccentric childhood in a vanished but vividly reimagined, even re-invented England, rich in voices, disappointments and epiphanies and always maintaining a dialogue - now mischievous, now outrageous - with the present. The reader gratefully turns the pages, hoping the conversation will continue well beyond the back cover.

      Trade Review
      'I'm proud to declare myself your fan. More a Mercedes than a minipoet.' Julian Mitchell; 'Your writing amused me greatly.' Anthony Powell

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