Description

Book Synopsis
Originally published in 1969. The proverb vox populi, vox Dei first appeared in a work by Alcuin (ca. 798), who wrote that the people [] are to be led, not followed. [] Nor are those to be listened to who are accustomed to say, 'The voice of the people is the voice of God.' Tracing the changing meaning of the saying through European history, George Boas finds that the people are not an easily identifiable group. For many centuries the butt of jokes and the substance of comic relief in serious drama, the people became in time an object of pity and, later, of aesthetic appeal. Popular opinion, despised in ancient Rome, was something sought, after the French Revolution. The first essay documents the use of the titular proverb through the eighteenth century. In the next six essays, Boas attempts to determine who the people were and how writers and philosophers have regarded them throughout history. He also examines the people as the creators of literature, art, and music, and as the subjec

Table of Contents

Publisher's Note
Apologia
Chapter 1. The Proverb's Annals
Chapter 2. Who Are the People?
Chapter 3. The People in Literature
Chapter 4. The People as Poet
Chapter 5. The People in Art
Chapter 6. The People as Artist
Chapter 7. The People as Musician
Chapter 8. Egalitarianism
Photographs
Bibliography
Index

Vox Populi

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    A Paperback / softback by George Boas

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      Book details

      Published 30 March 2020
      ISBN-13 9781421435039
      978-1421435039
      ISBN-10 1421435039

      Description

      Book Synopsis
      Originally published in 1969. The proverb vox populi, vox Dei first appeared in a work by Alcuin (ca. 798), who wrote that the people [] are to be led, not followed. [] Nor are those to be listened to who are accustomed to say, 'The voice of the people is the voice of God.' Tracing the changing meaning of the saying through European history, George Boas finds that the people are not an easily identifiable group. For many centuries the butt of jokes and the substance of comic relief in serious drama, the people became in time an object of pity and, later, of aesthetic appeal. Popular opinion, despised in ancient Rome, was something sought, after the French Revolution. The first essay documents the use of the titular proverb through the eighteenth century. In the next six essays, Boas attempts to determine who the people were and how writers and philosophers have regarded them throughout history. He also examines the people as the creators of literature, art, and music, and as the subjec

      Table of Contents

      Publisher's Note
      Apologia
      Chapter 1. The Proverb's Annals
      Chapter 2. Who Are the People?
      Chapter 3. The People in Literature
      Chapter 4. The People as Poet
      Chapter 5. The People in Art
      Chapter 6. The People as Artist
      Chapter 7. The People as Musician
      Chapter 8. Egalitarianism
      Photographs
      Bibliography
      Index

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