Description

Book Synopsis

Liumilla Petrushevskaia is one of the best known writers in Russia today, recognized for her versatility as a dramatist, scriptwriter, and author of harrowing contemporary stories and even fairy tales. Acclaimed for her shocking portraits of the pain and loss that distinguish the life of women in Russia and the old Soviet Union, Petrushevskaia has also created texts notable for their scandalous humor and vibrant plasticity of form.

This study analyses her use of genres within the context of an overall description of her ouevre. Her texts deal with stories struggling to be told even in today's Russia. Her characters are all storytellers, but the truths they attempt to express are often too terrible to be voiced aloud, and their tales are ultimately told from within a vast silence that threatens to engulf the narrative.



Trade Review

"Dalton-Brown's scholarship ... is of a very high standard indeed, taking on board modern critical approaches without being drowned by them" · Arnold McMillan, Professor of Russian Literature, School of Slavonic and East European Studies, University of London.



Table of Contents

Preface
Acknowledgements
Notes on Transliteration

Introduction: Petrushevskaia and Contemporary Literary Trends

Chapter 1. Contemporary 'Histories'
Chapter 2. Monologues and Requiems
Chapter 3. Songs, Sluchai, Tales of the Fantastic/Dystopias, Prose Poetry
Chapter 4. Skazki
Chapter 5. Drama
Chapter 6. Style

Conclusion

Bibliography
Index

Voices From the Void: The Genres of Liudmila

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    A Hardback by Sally Dalton-Brown

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      View other formats and editions of Voices From the Void: The Genres of Liudmila by Sally Dalton-Brown

      Publisher: Berghahn Books, Incorporated
      Publication Date: 17/05/2001
      ISBN13: 9781571819970, 978-1571819970
      ISBN10: 1571819975

      Description

      Book Synopsis

      Liumilla Petrushevskaia is one of the best known writers in Russia today, recognized for her versatility as a dramatist, scriptwriter, and author of harrowing contemporary stories and even fairy tales. Acclaimed for her shocking portraits of the pain and loss that distinguish the life of women in Russia and the old Soviet Union, Petrushevskaia has also created texts notable for their scandalous humor and vibrant plasticity of form.

      This study analyses her use of genres within the context of an overall description of her ouevre. Her texts deal with stories struggling to be told even in today's Russia. Her characters are all storytellers, but the truths they attempt to express are often too terrible to be voiced aloud, and their tales are ultimately told from within a vast silence that threatens to engulf the narrative.



      Trade Review

      "Dalton-Brown's scholarship ... is of a very high standard indeed, taking on board modern critical approaches without being drowned by them" · Arnold McMillan, Professor of Russian Literature, School of Slavonic and East European Studies, University of London.



      Table of Contents

      Preface
      Acknowledgements
      Notes on Transliteration

      Introduction: Petrushevskaia and Contemporary Literary Trends

      Chapter 1. Contemporary 'Histories'
      Chapter 2. Monologues and Requiems
      Chapter 3. Songs, Sluchai, Tales of the Fantastic/Dystopias, Prose Poetry
      Chapter 4. Skazki
      Chapter 5. Drama
      Chapter 6. Style

      Conclusion

      Bibliography
      Index

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