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Book Synopsis
An analysis of visual epistemology in the digital humanities, with attention to the need for interpretive digital tools within humanities contexts.

In the several decades since humanists have taken up computational tools, they have borrowed many techniques from other fields, including visualization methods to create charts, graphs, diagrams, maps, and other graphic displays of information. But are these visualizations actually adequate for the interpretive approach that distinguishes much of the work in the humanities? Information visualization, as practiced today, lacks the interpretive frameworks required for humanities-oriented methodologies. In this book, Johanna Drucker continues her interrogation of visual epistemology in the digital humanities, reorienting the creation of digital tools within humanities contexts.

Drucker examines various theoretical understandings of visual images and their relation to knowledge and how the specifics of the graphical are to be en

Visualization and Interpretation Humanistic

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A Hardback by Johanna Drucker

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    View other formats and editions of Visualization and Interpretation Humanistic by Johanna Drucker

    Publisher: MIT Press Ltd
    Publication Date: 10/11/2020
    ISBN13: 9780262044738, 978-0262044738
    ISBN10: 0262044730

    Description

    Book Synopsis
    An analysis of visual epistemology in the digital humanities, with attention to the need for interpretive digital tools within humanities contexts.

    In the several decades since humanists have taken up computational tools, they have borrowed many techniques from other fields, including visualization methods to create charts, graphs, diagrams, maps, and other graphic displays of information. But are these visualizations actually adequate for the interpretive approach that distinguishes much of the work in the humanities? Information visualization, as practiced today, lacks the interpretive frameworks required for humanities-oriented methodologies. In this book, Johanna Drucker continues her interrogation of visual epistemology in the digital humanities, reorienting the creation of digital tools within humanities contexts.

    Drucker examines various theoretical understandings of visual images and their relation to knowledge and how the specifics of the graphical are to be en

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