Description

Book Synopsis

This book presents a transcultural and generative introduction to the field of visual studies. Aimed primarily, but not exclusively, for students and scholars in the social sciences, it explores the multiple meanings of images and visual culture in human life.

Divided into three parts, the first section departs from a framework of the look as a medium for understanding imaging practices and offers a critical analysis of the changing ways in which vision has been understood across epochs and cultures and the politics attached. The second section opens with an expanded understanding of images addressing their affective, sensory and performative roles. It then discusses semiotic tensions between the icon and the index and the role of social interaction in the visual field, and ends with an analysis of immersive viewing in a creative juxtaposition between distinct, culturally situated, imaging practices. Building on the previous sections the third part provides a series of applic

Visual Studies

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    Order before 4pm today for delivery by Mon 8 Jun 2026.

    A Paperback by Paolo S.H. Favero

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      View other formats and editions of Visual Studies by Paolo S.H. Favero

      Publisher: Taylor & Francis
      Publication Date: 3/31/2025
      ISBN13: 9781350128903, 978-1350128903
      ISBN10: 1350128902
      Also in:
      Anthropology

      Description

      Book Synopsis

      This book presents a transcultural and generative introduction to the field of visual studies. Aimed primarily, but not exclusively, for students and scholars in the social sciences, it explores the multiple meanings of images and visual culture in human life.

      Divided into three parts, the first section departs from a framework of the look as a medium for understanding imaging practices and offers a critical analysis of the changing ways in which vision has been understood across epochs and cultures and the politics attached. The second section opens with an expanded understanding of images addressing their affective, sensory and performative roles. It then discusses semiotic tensions between the icon and the index and the role of social interaction in the visual field, and ends with an analysis of immersive viewing in a creative juxtaposition between distinct, culturally situated, imaging practices. Building on the previous sections the third part provides a series of applic

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