Description

Book Synopsis
Critiques some deployments of media in education, in and out of school, while exploring progressive possibilities in others.

Trade Review
“The topic of this book, pedagogy in light of media technologies, is of utmost importance. Equally important is Brian Goldfarb's attention to the success (or lack thereof) of educators and cultural activists in using these technologies to elicit the active, critical engagement of the citizenry in the project of learning.”—Michael Renov, coeditor of Collecting Visible Evidence

Table of Contents
Acknowledgments
Introduction: An Ethos of Visual Pedagogy

Part One. Historicizing New Technologies in the Classroom

1. Media and Global Education: Television’s Debut in Classrooms from Washington, D.C., to American Samoa
2. Students as Producers: Critical Video Production

3. Critical Pedagogy at the End of the Rainbow Curriculum: Media Activism in the Sphere of Sex Ed
4. Peer Education and Interactivity: Youth Cultures and New Media Technologies in Schools and Beyond
Part Two. Visual Pedagogy beyond Schools

5. Museum Pedagogy: The Blockbuster Exhibition as Educational Technology

6. A Pedagogical Cinema: Development Theory, Colonialism, and Postliberation African Film
7. Local Television and Community Politics in Brazil: Sao Paulo’s TV Anhembi
Appendix: An Annotated List of Media Organizations, Distributors, and Resources

Notes
Bibliography
Index

Visual Pedagogy

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    A Paperback / softback by Brian Goldfarb

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      Publisher: Duke University Press
      Publication Date: 18/10/2002
      ISBN13: 9780822329640, 978-0822329640
      ISBN10: 0822329646

      Description

      Book Synopsis
      Critiques some deployments of media in education, in and out of school, while exploring progressive possibilities in others.

      Trade Review
      “The topic of this book, pedagogy in light of media technologies, is of utmost importance. Equally important is Brian Goldfarb's attention to the success (or lack thereof) of educators and cultural activists in using these technologies to elicit the active, critical engagement of the citizenry in the project of learning.”—Michael Renov, coeditor of Collecting Visible Evidence

      Table of Contents
      Acknowledgments
      Introduction: An Ethos of Visual Pedagogy

      Part One. Historicizing New Technologies in the Classroom

      1. Media and Global Education: Television’s Debut in Classrooms from Washington, D.C., to American Samoa
      2. Students as Producers: Critical Video Production

      3. Critical Pedagogy at the End of the Rainbow Curriculum: Media Activism in the Sphere of Sex Ed
      4. Peer Education and Interactivity: Youth Cultures and New Media Technologies in Schools and Beyond
      Part Two. Visual Pedagogy beyond Schools

      5. Museum Pedagogy: The Blockbuster Exhibition as Educational Technology

      6. A Pedagogical Cinema: Development Theory, Colonialism, and Postliberation African Film
      7. Local Television and Community Politics in Brazil: Sao Paulo’s TV Anhembi
      Appendix: An Annotated List of Media Organizations, Distributors, and Resources

      Notes
      Bibliography
      Index

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