Description

Book Synopsis
How to think about what it means to look and see: a guide for navigating the complexities of visual culture.

The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West—somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume in the MIT Press Essential Knowledge series offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see—and what is at stake in doing so.

Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples—from Judy Chicago's The Dinner Party and Beyoncé and

Visual Culture MIT Press Essential Knowledge

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    A Paperback / softback by Alexis L. Boylan

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      Book details

      Publisher MIT Press Ltd
      Published 11 August 2020
      ISBN-13 9780262539364
      978-0262539364
      ISBN-10 0262539365
      Also in:
      Art & Photography History of art The arts: general topics

      Description

      Book Synopsis
      How to think about what it means to look and see: a guide for navigating the complexities of visual culture.

      The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see—color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West—somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume in the MIT Press Essential Knowledge series offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see—and what is at stake in doing so.

      Visual culture has always been inscribed by the dominant and by domination. This book suggests how we might weaponize the visual for positive, unifying change. Drawing on both historical and contemporary examples—from Judy Chicago's The Dinner Party and Beyoncé and

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