Description

Book Synopsis

Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood.



Trade Review

Visual Aggression is a game-changer in the study of violence in medieval art. While violence in itself was a fertile field in medieval studies, this book enables us to rethink the core questions behind the assumptions some medievalists have regarding the meaning and function of acts of violence in medieval art and culture.”

—Ittai Weinryb,author of Agents of Faith: Votive Objects in Time and Place


“A suggestive and richly illustrated study of violence imagery in late medieval German-speaking lands. Pinkus meticulously collates and catalogues the monumental ‘galleries of violence’ that are his focus, contextualising sculptural cycles of martyrdom in the Upper and Middle Rhine regions with reference to local histories and circumstances. Attentive to issues of language, he also shows how the concept of violence came to be located within an ethical system. The result is a significant contribution to our understanding of medieval martyrdom imagery and the responses it elicits.”

—Robert Mills,author of Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture


“This is a valuable lesson in looking, and a model of careful and well-supported visual analysis that moves beyond familiar linkages between violent imagery and the imitation of Christ.”

—H. McCune Bruhn Choice


Visual Aggression is not only valuable as a new resource engaging with an infrequently studied category of objects, Pinkus’s analysis of monumental and public facing devotional imagery also provides a much-needed counterpoint to the more frequently discussed objects and devotional practices used by medieval mystics and religious communities.”

—Claire Kilgore Journal of Medieval Religious Cultures



Table of Contents

List of Illustrations

Acknowledgments

Introduction: Weep Not for Me . . . But Weep on Yourselves

1 Visual Rhetoric

2 Between Theological and Juridical Positions

3 Bodily Imagination, Imagined Bodies

4 Eroticized and Sexualized Bodies

5 The Body Reincarnated

Epilogue: Effect and Response to Violence Imagery

Notes

Bibliography

Index

Visual Aggression Images of Martyrdom in Late

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    Order before 4pm today for delivery by Mon 10 Aug 2026.

    A Hardback by Assaf Pinkus

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      View other formats and editions of Visual Aggression Images of Martyrdom in Late by Assaf Pinkus

      Publisher: Pennsylvania State University Press
      Publication Date: Publication Date: 27/01/2021
      ISBN13: 9780271083797, 978-0271083797
      ISBN10: 0271083794

      Description

      Book Synopsis

      Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood.



      Trade Review

      Visual Aggression is a game-changer in the study of violence in medieval art. While violence in itself was a fertile field in medieval studies, this book enables us to rethink the core questions behind the assumptions some medievalists have regarding the meaning and function of acts of violence in medieval art and culture.”

      —Ittai Weinryb,author of Agents of Faith: Votive Objects in Time and Place


      “A suggestive and richly illustrated study of violence imagery in late medieval German-speaking lands. Pinkus meticulously collates and catalogues the monumental ‘galleries of violence’ that are his focus, contextualising sculptural cycles of martyrdom in the Upper and Middle Rhine regions with reference to local histories and circumstances. Attentive to issues of language, he also shows how the concept of violence came to be located within an ethical system. The result is a significant contribution to our understanding of medieval martyrdom imagery and the responses it elicits.”

      —Robert Mills,author of Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture


      “This is a valuable lesson in looking, and a model of careful and well-supported visual analysis that moves beyond familiar linkages between violent imagery and the imitation of Christ.”

      —H. McCune Bruhn Choice


      Visual Aggression is not only valuable as a new resource engaging with an infrequently studied category of objects, Pinkus’s analysis of monumental and public facing devotional imagery also provides a much-needed counterpoint to the more frequently discussed objects and devotional practices used by medieval mystics and religious communities.”

      —Claire Kilgore Journal of Medieval Religious Cultures



      Table of Contents

      List of Illustrations

      Acknowledgments

      Introduction: Weep Not for Me . . . But Weep on Yourselves

      1 Visual Rhetoric

      2 Between Theological and Juridical Positions

      3 Bodily Imagination, Imagined Bodies

      4 Eroticized and Sexualized Bodies

      5 The Body Reincarnated

      Epilogue: Effect and Response to Violence Imagery

      Notes

      Bibliography

      Index

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